% \iffalse meta-comment
%
% allrunes.dtx
%
% Copyright 2001-2004 Carl-Gustav Werner
% http://www.maths.lth.se/~carl/allrunes/
%
% This program is provided under the terms of the
% LaTeX Project Public License distributed from CTAN
% archives in directory macros/latex/base/lppl.txt.
%
%
%<*driver>
\documentclass{ltxdoc}
\EnableCrossrefs
\CodelineIndex
\RecordChanges
\PageIndex
\usepackage[T1]{fontenc}
\usepackage{allrunes}
\begin{document}
\DeleteShortVerb{\|} % To make it possible to have | in tabulars
\DocInput{allrunes.dtx}
\end{document}
%</driver>
%
% \fi
%
% \CheckSum{5013}
%
% \changes{v1.0}{2001/03/23}{First public release}
% \changes{v1.01}{2001/07/14}{Removed a few remaining 8-bit characters from
%       frum.mf. They didn't work with the new MiKTeX
%       package handling system. Also restored a lost table,
%       added an example and corrected a few spelling
%       mistakes in the documentation.}
% \changes{v2.0}{2002/08/11}{Added type1 versions for the main types of the
%      allrunes fonts, and support for them in the LaTeX package. Merged the
%      former Scandinavian-Gothic and the Continental font families to a
%      Common Germanic font family. Renamed the commands for flipping and turning
%      runes. Made the commands for flipping and turning runes work for all
%      six font families. Inserted kerning information for the Common Germanic
%      and Anglo-Frisian font families. Complemented the font families with
%      a few more runes, especially the Medieval one. Corrected many spelling
%      mistakes in the documentation.}
% \changes{v2.1}{2004/01/06}{Modified the handling of type1 fontes to take advantage
%      of the new map-file handling system of MiKTeX- and teTeX-implementations.
%      Removed a bug that prevented the use of medieval rune with straight twigs.
%      Minor updates to the documentation.}
%
% \newcommand{\currentversion}{2.1}
% \newcommand{\dateofcurrentversion}{2004/01/06}
%
% \newcommand{\package}[1]{\textsf{#1}}
% \newcommand{\ar}{\package{allrunes}}
% \newcommand{\file}[1]{\texttt{#1}}
% \newcommand{\MF}{\textsf{METAFONT}}
% \newcommand{\NFSS}{\textsf{NFSS}}
% \newcommand{\fu}{fu\th Ark:hnias}
% \newcommand{\trsize}[1]{\mbox{\fontsize{9}{14.5}\selectfont #1}}
% \newcommand{\rc}[1]{\textarc{#1}}
% \newcommand{\ra}[1]{\textara{#1}}
% \newcommand{\rn}[1]{\textarn{#1}}
% \newcommand{\rt}[1]{\textart{#1}}
% \newcommand{\rl}[1]{\textarl{#1}}
% \renewcommand{\rm}[1]{\textarm{#1}}
% \newcommand{\ts}[1]{\textsf{\textbf{#1}}}
% \newlength{\sharpiwidth}
% \newcommand{\sharpi}{\settowidth{\sharpiwidth}{-i}-\hspace{-0.52\sharpiwidth}i}
%
% \OnlyDescription     ^^A For short description of font and package.
% \title{The \ar\ Font and Package.\\ \normalsize{Version \currentversion}}
% \author{Carl-Gustav Werner\\
%         \small \texttt{http://www.maths.lth.se/\~{}carl/allrunes/}}
% \date{\dateofcurrentversion}
% \maketitle
% \begin{abstract}
%   The \ar{} font and package is aimed for
%   typesetting runes. It is supposed to cover all the Germanic runes.
%   Separate font families
%   are set up for six main types of runes: Common Germanic,
%   Anglo-Frisian, normal (Scandinavian),
%   short-twig (Scandinavian), staveless (Scandinavian) and medieval (Scandinavian).
%   Within each font family a lot of varieties are supplied. All varieties exists
%   as both Metafont fonts and type1 fonts as well.
% \end{abstract}
% \tableofcontents
%
% \CharacterTable
%  {Upper-case    \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
%   Lower-case    \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
%   Digits        \0\1\2\3\4\5\6\7\8\9
%   Exclamation   \!     Double quote  \"     Hash (number) \#
%   Dollar        \$     Percent       \%     Ampersand     \&
%   Acute accent  \'     Left paren    \(     Right paren   \)
%   Asterisk      \*     Plus          \+     Comma         \,
%   Minus         \-     Point         \.     Solidus       \/
%   Colon         \:     Semicolon     \;     Less than     \<
%   Equals        \=     Greater than  \>     Question mark \?
%   Commercial at \@     Left bracket  \[     Backslash     \\
%   Right bracket \]     Circumflex    \^     Underscore    \_
%   Grave accent  \`     Left brace    \{     Vertical bar  \|
%   Right brace   \}     Tilde         \~}
%
% \section{Introduction}
%
% This package contains the \MF{} source and driver files for the
% \ar{} font families, type1 files for the main varieties, plus a \LaTeX{}
% package to utilize those fonts, along with a number of font definition
% files, as required by the New Font Selection Scheme (\NFSS{}).
%
% \subsection{About the Documentation}
%
% The full documentation of this font and package is rather large, something like 187
% pages actually. Most of it is the \MF{} programs for the characters for
% the fonts; to make them visible, just remove the
% \texttt{\bslash OnlyDescription} from the preamble of \texttt{allrunes.dtx}.
%
% \subsection{Notes on Installation}
% The information in this documentation can be usefull if you intend to
% install the \ar{} font and package, and it is intended be sufficient.
% However, in some TeX-implementations (like MiKTeX) the \ar{} font and package
% is part of the distribution; in such cases it is easier to use that.
%
% \section{The Fonts}
% Both \MF{} source files and type1 font files are supplied. It is recommended to
% install either just the \MF{} files, or both of them.
%
% \subsection{The \MF{} files}
%
% \paragraph{Base File and Source Files}
% The names of the base file and the files containing the code for the characters of
% the \ar{} font all starts with the letters \texttt{fru}. The next five
% possible letters reflects
% what kind of code is contained within the file, e.g., the base file
% ends in \texttt{base}, the file containing the code for the
% word separators end in \texttt{sep}, and so forth.
%
% \paragraph{Font Driver Files}
% The font driver filenames has been chosen to conform to the
% \texttt{fontname} scheme, as far as possible.
%
% The filename all contain the three characters \texttt{fru}, where,
% according to the the \texttt{fontname} scheme, \texttt{f} stands
% for \textit{public} and \texttt{ru} for \textit{runic}.
%
% Next comes one of the following letters:
% \texttt{c} (\textit{Common Germanic}),
% \texttt{a} (\textit{Anglo-Frisian}),
% \texttt{n} (\textit{Normal}),
% \texttt{t} (\textit{Short-twig}),
% \texttt{l} (\textit{Staveless}) or
% \texttt{m} (\textit{Medieval})
% which represents which of the six rune font families it is.
%
% Then comes another letter, which is one of:
% \texttt{l} (\textit{Light face, without lines}),
% \texttt{m} (\textit{Medium, without lines}),
% \texttt{b} (\textit{Bold face, without lines}),
% \texttt{k} (\textit{Light face, with lines}),
% \texttt{n} (\textit{Medium, with lines}) or
% \texttt{c} (\textit{Bold face, with lines}),
% which represents the series, and with/without alignment lines.
%
% and finally comes one of following:
% \texttt{s} (\textit{Straight twigs, top twig not lowered}),
% \texttt{n} (\textit{Curved twigs, top twig not lowered}),
% \texttt{r} (\textit{Rounded twigs, top twig not lowered}),
% \texttt{t} (\textit{Straight twigs, top twig lowered}),
% \texttt{m} (\textit{Curved twigs, top twig lowered}) or
% \texttt{q} (\textit{Rounded twigs, top twig lowered}),
% which represents two kinds of shape --- the curvature of
% the twigs, and the position of the top twig.
%
% The most reasonable place for the \texttt{fru*.mf} files provided
% with this package is in a directory named\newline
% \indent\meta{mf--source--base--dir}\texttt{/public/allrunes/}.\newline
% This way of naming the font driver files will, if
% \texttt{kpathsea} is in use, put the \texttt{fru*.pk} files in\newline
% \indent\meta{pk--base--dir}\texttt{/public/allrunes/}\newline
% and the \texttt{fru*.tfm} files in\newline
% \indent\meta{tfm--base--dir}\texttt{/public/allrunes/}.
%
% \subsection{The type1 font files}
% The names of the type1 font files (the \texttt{fru*.pfb} files)
% are identical to the corresponding
% \texttt{fru*.mf} files, with just the suffix exchanged.
%
% The most reasonable place for the \texttt{fru*.pfb} files provided
% with this package is in a directory named\newline
% \indent\meta{type1--base--dir}\texttt{/public/allrunes/}.
%
% The type1 font files are generated from the \MF{} font files with
% the program \texttt{mftrace} \cite{Nienhuys}.
%
%
% \paragraph{The map file}
% To be able to use the type1 fonts, programs like \textsf{dvips} and
% \textsf{pdflatex} needs information about which \texttt{*.pfb} file
% a certain fontname corresponds to. This information is normally stored in
% a file \meta{dvips-base-dir}\texttt{/config/psfonts.map},
% but additional information may
% reside in other \texttt{*.map} files. In the \ar{} bundle, a such file called
% \texttt{allrunes.map} is supplied. There are several reasonable places for
% it, but \meta{dvips-base-dir}\texttt{/allrunes} would be fine.
%
% In recent versions of (at least) the MiKTeX- and teTeX-implementations, the
% handling of \texttt{*.map} files is rather simple. Look in the directory
% \meta{tex-base-dir}\texttt{/web2c/}. If there is a file called \texttt{updmap.cfg},
% open it for editing and add a line:\newline
% \indent\texttt{MixedMap allrunes.map}\newline
% (if you have both the \MF{} files and the type1 files installed), or\newline
% \indent\texttt{Map allrunes.map}\newline
% (if you only have the type1 files installed)
% in some suitable place. Then update the other \texttt{*.map} files by running the command:\newline
% \indent\texttt{initexmf -v --mkmap}\newline
% if you are using MiKTeX. If you are using teTeX, use the command:\newline
% \indent\texttt{updmap}\newline
%
% Older versions requires more work:
% edit the file \meta{dvips-base-dir}\texttt{/config/config.ps}, in which a line:\newline
% \indent\texttt{p +allrunes.map}\newline
% should be inserted somewhere \textit{after} the line:\newline
% \indent\texttt{p psfonts.map}\newline
% In a similar way, to make \textsf{pdflatex} find the \texttt{allrunes.map},
% insert a line:\newline
% \indent\texttt{map +allrunes.map}\newline
% somewhere \textit{after} the line:\newline
% \indent\texttt{map psfonts.map}.\newline
% in the file \meta{pdftex-base-dir}\texttt{/config/pdftex.cfg}.
%
% \section{The \LaTeX{} files}
%
% To follow the scheme of the \MF{} files, it would be appropriate to
% place all \LaTeX{} files, namely the \texttt{ar?.fd} and the
% \texttt{allrunes.sty} files, in\newline
% \indent\meta{tex-base-dir}\texttt{/tex/latex/allrunes/}.
%
% \subsection{The \LaTeX\ and \NFSS\ Support}
%
% To use the \ar{} fonts with \LaTeX; load
% the \ar{} package with the command
% \begin{quote}
%   \verb|\usepackage{allrunes}|
% \end{quote}
% in the preamble of the document. 
%
% \subsection{Font Selection Commands}
%
%
% None of the font families is
% activated as default font, since the runes hardly ever will be used
% as the main font throughout an entire document. The commands and their
% corresponding declarations, together with some examples of the resulting
% output are:\\[2mm]
% \begin{tabular}{llll}
%   \verb|\textarc{|\textit{text}\verb|}| & \verb|\arcfamily| &
%     \emph{Common Germanic} runes &   \textarc{fu\th arkgwh} \\
%   \verb|\textara{|\textit{text}\verb|}| & \verb|\arafamily| &
%     \emph{Anglo-Frisian} runes &  \textara{fu\th orcgwh} \\
%   \verb|\textarn{|\textit{text}\verb|}| & \verb|\arnfamily| &
%     \emph{normal} runes & \textarn{\fu} \\
%   \verb|\textart{|\textit{text}\verb|}| & \verb|\artfamily| &
%     \emph{short-twig} runes & \textart{\fu} \\
%   \verb|\textarl{|\textit{text}\verb|}| & \verb|\arlfamily| &
%     \emph{staveless} runes &  \textarl{\withlines\fu} \\
%   \verb|\textarm{|\textit{text}\verb|}| & \verb|\armfamily| &
%     \emph{medieval} runes & \textarm{abcdefghi}\\
% \end{tabular}\\[2mm]
%
% \subsection{Shape and Series Selection Commands}
%
% Within each font family there is the opportunity to
% choose among a lot of varieties with
% the commands and declarations below. Note that almost all of
% those commands and declarations
% only has meaning for the rune font families in the \ar{} package.
% The exceptions are the two commands and declarations
% for selecting bold or medium text, which are standard \LaTeX.
%
% \noindent
% First there is the series: bold, medium or light (medium is default)\\[2mm]
% \begin{tabular}{lll}
%   \verb|\textbf{|\textit{text}\verb|}| & \verb|\bfseries| & \textarn{\textbf{\fu}}\\
%   \verb|\textmd{|\textit{text}\verb|}| & \verb|\mdseries| & \textarn{\textmd{\fu}}\\
%   \verb|\textlf{|\textit{text}\verb|}| & \verb|\lfseries| & \textarn{\textlf{\fu}}\\
% \end{tabular}\\[2mm]
% Then there is the choice whether to have alignment lines or not (without is default):\\[2mm]
% \begin{tabular}{lll}
%   \verb|\textwil{|\textit{text}\verb|}| & \verb|\withlines|    & \textarn{\textwil{\fu}}\\
%   \verb|\textwol{|\textit{text}\verb|}| & \verb|\withoutlines| & \textarn{\textwol{\fu}}\\
% \end{tabular}\\[2mm]
% Another parameter to vary is the curvature of the twigs (curved is default). This
% parameter has a slightly different meaning for the staveless runes.\\[2mm]
% \begin{tabular}{llll}
%   \verb|\textst{|\textit{text}\verb|}| & \verb|\straighttwigs| & \textarn{\textst{\fu}} & \textarl{\textwil{\textst{\fu}}} \\
%   \verb|\textcu{|\textit{text}\verb|}| & \verb|\curvedtwigs|   & \textarn{\textcu{\fu}} & \textarl{\textwil{\textcu{\fu}}} \\
%   \verb|\textro{|\textit{text}\verb|}| & \verb|\roundedtwigs|  & \textarn{\textro{\fu}} & \textarl{\textwil{\textro{\fu}}} \\
% \end{tabular}\\[2mm]
% For those runes that have a joint in the top, there is also an opportunity to
% chose whether it should
% be in the absolute top position (high twigs) or lowered a little (low twigs). The
% default is high twigs. This
% parameter has a slightly different meaning for the staveless runes.\\[2mm]
% \begin{tabular}{llll}
%   \verb|\texthi{|\textit{text}\verb|}| & \verb|\hightwigs| & \textarn{\texthi{\fu}} & \textarl{\textwil{\texthi{\fu}}} \\
%   \verb|\textlo{|\textit{text}\verb|}| & \verb|\lowtwigs|  & \textarn{\textlo{\fu}} & \textarl{\textwil{\textlo{\fu}}} \\
% \end{tabular}\\[2mm]
%
% Since in inscriptions, the runes sometimes (mainly in inscriptions with the Common Germanic
% runes) were written in
% just about any direction, there are commands for reversing them and to turn them round:\\[2mm]
% \begin{tabular}{lll}
%   \verb|\hflip{|\textit{rune}\verb|}| & \textarc{\hflip{f}}\\
%   \verb|\vflip{|\textit{rune}\verb|}| & \textarc{\vflip{f}}\\
%   \verb|\turn{|\textit{rune}\verb|}|  & \textarc{\turn{f}}\\
% \end{tabular}\\[2mm]
% Note that those three commands only take \textit{one} rune as argument.
%
% \subsection{Sizes}
% The \ar{} package honors all \LaTeX\ standard size changing commands. When
% using the \MF{} fonts, the standard sizes of \LaTeX: 5, 6, 7, 8, 9, 10, 10.95,
% 12, 14.4, 17.28, 20.74, 24.88, 29.86 and 35.83 pt are available.
%
%
% \section{On runological design decisions}
% The purpose of this package is to make it possible writing a scientific
% paper or book about runes or runic inscriptions using \LaTeX. Since there exist
% no suitable official standard for runes, as far as the author knows\footnote{The
% Unicode Standard (see \cite{Unicode} on runes), is not enough for this purpose. F.x. are the
% staveless runes missing.} a few decisions, concerning the selection of runes, have to been made.
% Of course you can look up runes in any encyclopedia and copy them. But
% runes did appear in many varieties, and in order to fulfill the
% purpose above, you have to cover, preferably all, but at least a great deal of them. The
% original runes were cut or carved by individuals who probably didn't learn about
% runes in the same school. Therefore there is a more or less continuous
% variation in shape of the runes. You then
% have to decide on, when to consider
% these variations as just deviations from the main form, and when to consider
% them as a distinct form. With this in mind, I have formulated
% three possible, and rather different, principles for the design:
% \begin{itemize}
% \item Standard. Find all clearly distinguishable forms and skip all
%   finer variants. Design the runes similar to the ones used in most
%   literature on runes.
% \item Art. Be inspired of all original rune inscriptions and design
%   typographically consistent runic font families, possibly in
%   several different forms.
% \item Copy. Try to catch as many of all the existing varieties in
%   the original rune inscriptions without worrying to much about
%   consistent typography.
% \end{itemize}
% This resulting package --- \ar{} --- is of course a compromise
% between all three of the principles above:
%
% First there is a font family for each of the six main type of runes
% used: Common Germanic,
% Anglo-Frisian, normal (Scandinavian),
% short-twig (Scandinavian), staveless (Scandinavian), medieval (Scandinavian).
% For each font family there is a
% default shape/serie that is essentially identical to the most common
% types. Then there exist a few
% different shapes/series: bold/medium/light, with lines/without lines,
% straight/normal/rounded twigs and normal/\-lowered top twig, each of which is typographically
% consistent. (Which might result in some few runes that never have occurred in real
% inscriptions.) Within each font family all clearly distinguishable
% forms are defined, and together with all the typographical varieties
% $(6*3*2*3*2=216)$ this mimics really a lot of the existing varieties.
%
% \subsection{The font families}
% The partitioning of the runes in six main types is of course not
% undisputable. Having just one font family with all runes would have
% some definite advantages, i.e.\ runic characters that always had the
% same appearance wouldn't need to be duplicated. On the other hand, runic
% characters that did change their appearance through time and space would
% need rather cumbersome names to be called upon with. So, how to partition
% then? The distinction between the older futhark with 24 characters, and the
% younger (Scandinavian) with 16, is obvious. Also, the younger futhark have three well
% recognized subfutharks, the normal, the short-twig, and the staveless futhark \cite{Jansson}.
% The runes from England and Frisia, stands out from the main older futhark, with a
% few extra runes, 28 or 33 all in all, as another obvious partition \cite{Page}. That's the
% five easy ones.
%
% In Scandinavia the runes continued to thrive and develop well into the
% medieval period. The normal runes were
% complemented, not with new runes (well only very few, and not commonly recognized),
% but mostly with ''dotted'' runes. In the 12th century there were runes for all Scandinavian
% letters, around 29 ones, but the futhark were still considered to contain only 16 characters!
% Today, most runologists therefore set up an anachronistic alphabet with both dotted and un-dotted
% runes. Unfortunately there were some diversification. Some runes appeared
% only in Greenland, Iceland, Orkney, or Gotland --- and in the isolated province of Dalarna
% in Sweden a mix of runes and Latin
% letters developed, where it was in use into the 19th century. Five more medieval runic
% alphabets? Or
% one medieval runic alphabet containing several runes that never occurred together? I chose
% the later one, but excluded the runes from Dalarna. That makes six.
%
% When looking at the older futhark in close detail one can find
% a lot of different forms: the Scandinavian-Gothic 175-400,
% the Scandinavian 400-750, the Continental 400-750,
% the Frisian 400-750, the Anglo-Saxon
% 400-650 and the Anglo-Saxon 650-1100 \cite{Odenstedt}, \cite{Parsons99}.
% Here at least two font families are needed, one for the main one, and one for the
% Anglo-Frisian. But where to draw the line? The Frisian runes are closer to
% the main ones than to the late English, but they also share some very characteristic
% runes, not found elsewhere. Similar questions arise for the Continental and Scandinavian
% runes. When comparing the different rune forms listed in \cite{Odenstedt}, I have decided
% to just have the two obvious ones: Common Germanic (i.e. the Continental
% 400-750, Scandinavian-Gothic 175-400 and Scandinavian 400-750) and the
% Anglo-Frisian (Frisian 400-750, Anglo-Saxon 400-650 and Anglo-Saxon 650-1100).
% That makes six font families. I welcome comments.
%
% \subsection{Excluded runes}
% As mentioned above, the mix of medieval runes and Latin letters used in the province
% of Dalarna in Sweden, is not covered here.
%
% Cryptic or secret runes, f.x.\ like the different cipher runes on the
% stone from R\"ok in Sweden, is not covered. This might change in
% future releases.
%
% Magic runes is another category of runes. They are mostly varieties from the older
% futhark, with some features of a rune
% occurring several times, like the ''fir-tree'' on the stone from Kylver, which can
% be interpreted as a \textarn{t}-rune with its branches six times repeated.
% None of those are so far included, but might be in future releases.
%
% Both in inscriptions with the older futhark, and in medieval ones, there are bind-runes or ligatures,
% mostly in the form of two runes sharing the same main stem. Since there exist really
% many combinations, I do not try to cover those. An alternative would of course be to
% cover only those actually occurring in inscriptions.
%
% Finally, there exists several unique runes, known only from one inscription each. Some
% are included in the \ar{} package, mainly those who ''fit'' into the system,
% and where the uniqueness probably is due to the sparse number of preserved inscriptions.
% Runes whose uniqueness are due to apparently clumsy or ignorant carvers are most deliberately
% excluded from the \ar{} package.
% In many cases it is hard to decide in which of the two above categories a certain rune belongs to.
% I might however include some more of those unique runes in future releases.
%
%
% \section{Bugs and shortcomings}
% In addition to all the for me unknown bugs and shortcomings, there are
% the following known:
%
% I have not looked at all the runes in all the 216
% different forms in different sizes. Some might look less nice, due to
% errors in the parameterizations. Please tell me if you encounter any.
%
% The \verb|\vflip{}|, \verb|\hflip{}| and the \verb|\turn{}| command
% can not be used together with commands like
% \verb|\.| and \verb|\=|. To produce f.x.\ \textarn{\hflip{g}} you have to
% write \verb+\hflip{g}+, \textit{not} \verb+\hflip{\.k}+. (That's the reason
% why all the ''dotted'' runes have alternative names.) Probably it can be
% fixed if you use \verb+\DeclareTextComand+ instead of
% \verb|\DeclareTextComposite| (see~\cite{LaTeXfCPW}), but
% I didn't really figure out how to do it.
% Please tell me if you find a reasonable way to handle this.
%
% Perhaps a (virtual) font is needed for the transliteration. A few characters
% that are needed are not present in the European modern boldface sans serif font,
% like the {\ts\sharpi} and a
% suitable uppercase \ts{\footnotesize R}.
%
% I have now supplied kerning information for all
% the rune font families, but only (almost) for the non-flipped
% versions. There are simply to many combinations otherwise.
% As an example of what impact
% the kerning has, compare:\\
% \textarn{filaka:krimR} (with kerning) with:\\
% \textarn{f\mbox{}i\mbox{}l\mbox{}a\mbox{}k\mbox{}a\mbox{}:%
% \mbox{}k\mbox{}r\mbox{}i\mbox{}m\mbox{}R} (without kerning).\\
% The kerning is set for the default forms, and is by no means
% adjusted for the other forms. This should only result in
% displeasing appearances in very few cases, but they need nevertheless to
% be taken care of (and to be found).
%
% It would be nice to be able to letterspace runes, f.x.\ with the \package{soul}
% package. Unfortunately the \ar{} and the \package{soul} package does not
% work at all together.
%
% Since the same source is used for all fonts, in all sizes, there is no
% adaptation for discretization problems. Therefore you should not expect
% fine results on printers with resolution less than 1200~dpi. I find
% the 12~pt fonts acceptable at 600~dpi, but not the 10~pt ones.
%
% I have cheated to get nonlinear scaling of the fonts. You will therefore sometimes get the
% ''Checksum mismatch'' error when generating the pk-files, but that will
% not cause any problems, as far as I know. When I understand how the driver
% files for the ec font are generated I'll do something similar for the allrunes
% fonts instead.
%
% The type1 fonts are generated from the \MF{} files with the program \texttt{mftrace} \cite{Nienhuys}.
% No manual adjustment is made and no hinting information is added. This
% might result in displeasing results, especially for small sizes, but I do not
% intend to fix such problems, unless it can be automated.
%
% The language of this paper. I'm not a native speaker of English, which you
% must have understood by now. Please tell me if you find spelling mistakes,
% grammatical errors, or just plain nonsense in the text.
%
% I'm not a professional runologist, and since I have only read a rather limited
% amount of runological literature, I might have got a few things wrong.
% Please tell me if you find anything that looks doubtful.
%
%
% \section{Some examples}
%
%
%
% In Pforzen, Bayern, Germany, a silver belt buckle was found with the following
% inscription:
% \begin{quotation}
% \noindent
% {\arcfamily  \large
% .aigil.andi.aIlrun\\
% l.ta\h u:ga\sthree o\vflip{\k}un.}
% \end{quotation}
%
% In M\"ojbro, Uppland, Sweden, a stone with an inscription and a
% picture was found. The inscription is written from right to
% left and from bottom to top:
% \begin{quotation}
% \noindent
% {\arcfamily  \large
% R\\
% \hflip{a}\hflip{n}ig\hflip{a}\hflip{l}\hflip{\sthree}i\hflip{a}\hflip{h}
% \hflip{a}\hflip{h}\hflip{a}\hflip{n}\hflip{a}\\
% \hspace*{9mm}R\hflip{a}d\hflip{a}\hflip{r}\hflip{a}\hflip{w}\hflip{a}\hflip{r}\hflip{f}
% }
% \end{quotation}
%
% In Torna H\"allestad, Sk\r ane, Sweden, three rune stones are set up
% in the wall of the church. The longest inscription of the three reads as
% follows:
% \begin{quotation}
% \noindent
% {\arnfamily  \large
% :askil:sati:stin:\th ansi:iftiR\\
% :tuka:kur\"ms:sun:saR:hulan:\\
% trutin:saR:flu:aigi:at:ub:\\
% :salu\"m\\
% satu:trikaR:iftiR:sin:bru\th r\\
% stin:A:biarki:stu\th an:runu\"m:\th iR:\\
% kur\"ms:tuka:kiku:nistiR}
% \end{quotation}
%
% In England, now at the British Museum, the stone cross from Lancaster
% has the following runic inscription:
% \begin{quotation}
% \noindent
% {\arafamily  \large
% gibi\d\ae\th fo\\
% r\ae cynibal\\
% \th cu\th bere}
% \end{quotation}
%
% In H\"og, H\"arjedalen, Sweden, a stone has an inscription made with staveless
% runes:
% \begin{quotation}
% \noindent
% {\arlfamily \large \withlines
% ku\th niutr\tripledot \th rusun\tripledot litritastin\th ina
% \tripledot akbrukir\th i\tripledot aftiRbru\th rsina\tripledot
% asbiurn:\\
% akatku\th laf}
% \end{quotation}
%
% On the font (a real font, a baptismal font) in the church of Burseryd, Gotland, Sweden,
% medieval runes are used. Except for the bind-runes, which are resolved here and
% shown as individual characters, the inscription looks like:
% \begin{quotation}
% \noindent
% {\armfamily \large
% :arinbiorn\tripledot g\o rth\=i\tripledot mik\tripledot\\
% uitkun\'t\=ir\tripledot pr\=ister\tripledot skr\=if:mik:\\
% ok\tripledot h\=ir\tripledot skal:um\tripledot stun\'t\tripledot stanta\tripledot
% }
% \end{quotation}
%
% \newpage
%
% \section{Tables for all the runic characters}
% On the following pages tables with all the runic characters
% in all the font families of the \ar{} font are listed, together with the most
% recognized transliteration of each rune, and the corresponding
% \LaTeX\ code in the \ar{} package.
%
% \subsection*{The Runic Word Separator Symbols}
% \begin{tabular}{|c|ll|}
%   \hline
%   Separator & \multicolumn{2}{c|}{\LaTeX}    \\
%   \hline
%   \rn{.}            & \verb|\dot|         & or \verb|.|\\
%   \rn{:}            & \verb|\doubledot|   & or \verb|:|\\
%   \rn{\tripledot}   & \verb|\tripledot|   & \\
%   \rn{\quaddot}     & \verb|\quaddot|     & \\
%   \rn{\pentdot}     & \verb|\pentdot|     & \\
%   \rn{.}            & \verb|\eye|         & or \verb|.|\\
%   \rn{:}            & \verb|\doubleeye|   & or \verb|:|\\
%   \rn{\tripleeye}   & \verb|\tripleeye|   & \\
%   \rn{\quadeye}     & \verb|\quadeye|     & \\
%   \rn{\penteye}     & \verb|\penteye|     & \\
%   \rn{!}            & \verb|\bar|         & or \verb|!|\\
%   \rn{\doublebar}   & \verb|\doublebar|   & \\
%   \rn{\triplebar}   & \verb|\triplebar|   & \\
%   \rn{+}            & \verb|\plus|        & or \verb|+|\\
%   \rn{\doubleplus}  & \verb|\doubleplus|  & \\
%   \rn{\tripleplus}  & \verb|\tripleplus|  & \\
%   \rn{\cross}       & \verb|\cross|       & or \verb|*|\\
%   \rn{\doublecross} & \verb|\doublecross| & \\
%   \rn{\triplecross} & \verb|\triplecross| & \\
%   \rn{\star}        & \verb|\star|        & \\
%   \hline
% \end{tabular}\\
%
% \noindent The runic writing system had no real punctuation marks,
% but word separator symbols. To make it simple, all of the symbols
% in the table above are
% part of all the six rune font families, listed below.
%
% I have used
% the \texttt{*} to produce the symbol \rn{*} instead of \rn{\star}, which
% of course had been more
% consequent. This is because I want to be able to access it, as being one of
% the most common word separators (together with the \rn{:}), as a
% single character.
%
% \pagebreak
%
% \subsection*{The Common Germanic Runes}
% \nopagebreak
% \noindent
% \begin{tabular}{|c|c|c|c|c|c|}
%   \hline
%   \multicolumn{3}{|c|}{Main runes} & \multicolumn{3}{c|} {Variant forms}    \\
%   \hline
%   Rune & Translit. & \LaTeX & Rune & Translit. & \LaTeX \\
%   \hline
%   \rc{f}   & \ts{f}   & \verb|f|   & \rc{F}      & \ts{f}   & \verb|F| \\
%   \rc{u}   & \ts{u}   & \verb|u|   & \rc{U}      & \ts{u}   & \verb|U| \\
%   \rc{\th} & \ts{\th} & \verb|\th| or \texttt{\th}
%                                    &             &          & \\
%   \rc{a}   & \ts{a}   & \verb|a|   &             &          & \\
%   \rc{r}   & \ts{r}   & \verb|r|   &             &          & \\
%   \rc{k}   & \ts{k}   & \verb|k|   & \rc{\k}     & \ts{k}   & \verb|\k|\\
%            &          &            & \rc{K}      & \ts{k}   & \verb|K|\\
%            &          &            & \rc{\K}     & \ts{k}   & \verb|\K|\\
%   \rc{g}   & \ts{g}   & \verb|g|   &             &          & \\
%   \rc{w}   & \ts{w}   & \verb|w|   &             &          & \\
%   \rc{h}   & \ts{h}   & \verb|h|   & \rc{H}      & \ts{h}   & \verb|H|\\
%   \rc{\h}  & \ts{h}   & \verb|\h|  &             &          & \\
%   \rc{n}   & \ts{n}   & \verb|n|   &             &          & \\
%   \rc{i}   & \ts{i}   & \verb|i|   &             &          & \\
%   \rc{j}   & \ts{j}   & \verb|j|   & \rc{\j}     & \ts{j}   & \verb|\j|\\
%            &          &            & \rc{J}      & \ts{j}   & \verb|J|\\
%            &          &            & \rc{A}      & \ts{A}   & \verb|A|\\
%            &          &            & \rc{\A}     & \ts{A}   & \verb|\A|\\
%   \rc{I}   & \ts{\"\i}~~or~~\ts{\d{e}} & \verb|I| or \texttt{\"i}
%                                    &             &          & \\
%   \rc{p}   & \ts{p}   & \verb|p|   & \rc{\p}     & \ts{p}   & \verb|\p|\\
%            &          &            & \rc{P}      & \ts{p}   & \verb|P|\\
%   \rc{R}   & \ts{z} or \ts{\footnotesize R} & \verb|R|
%                                    & \rc{\R}     & \ts{z} or \ts{\footnotesize R} & \verb|\R| \\
%            &          &            & \rc{\RR}    & \ts{z} or \ts{\footnotesize R} & \verb|\RR|\\
%   \rc{s}   & \ts{s}   & \verb|s|  or \verb|\sfour| & \rc{S}      & \ts{s}   & \verb|S| or \verb|\ssix|\\
%            &          &            & \rc{\s} & \ts{s}  & \verb|\s|\\
%            &          &            & \rc{\S} & \ts{s}  & \verb|\S|\\
%            &          &            & \rc{\sthree} & \ts{s}  & \verb|\sthree|\\
%            &          &            & \rc{\sfive}  & \ts{s}  & \verb|\sfive|\\
%            &          &            & \rc{\sseven} & \ts{s}  & \verb|\sseven|\\
%            &          &            & \rc{\seight} & \ts{s}  & \verb|\seight|\\
%   \rc{t}   & \ts{t}   & \verb|t|   & \rc{T}      & \ts{t}   & \verb|T|\\
%   \rc{b}   & \ts{b}   & \verb|b|   & \rc{B}      & \ts{b}   & \verb|B|\\
%   \rc{e}   & \ts{e}   & \verb|e|   & \rc{E}      & \ts{e}   & \verb|E|\\
%   \rc{m}   & \ts{m}   & \verb|m|   &             &          & \\
%   \rc{l}   & \ts{l}   & \verb|l|   &             &          & \\
%   \rc{\ng} & \ts{\ng} & \verb|\ng|  or \texttt{\ng}
%                                    & \rc{\NG}    & \ts{\ng} & \verb|\NG| or \texttt{\NG}\\
%            &          &            & \rc{\ing}   & \ts{\ng} or \ts{i\ng} & \verb|\ing|\\
%            &          &            & \rc{\Ing}   & \ts{\ng} or \ts{i\ng} & \verb|\Ing|\\
%            &          &            & \rc{\ING}   & \ts{\ng} or \ts{i\ng} & \verb|\ING|\\
%   \hline
% \end{tabular}\\
%
% \pagebreak
%
% \subsection*{The Common Germanic Runes (continued)}
% \nopagebreak
% \noindent
% \begin{tabular}{|c|c|c|c|c|c|}
%   \hline
%   \multicolumn{3}{|c|}{Main runes} & \multicolumn{3}{c|} {Variant forms}    \\
%   \hline
%   Rune & Translit. & \LaTeX & Rune & Translit. & \LaTeX \\
%   \hline
%   \rc{d}   & \ts{d}   & \verb|d|   & \rc{\d}     & \ts{d}   & \verb|\d|\\
%            &          &            & \rc{D}      & \ts{d}   & \verb|D|\\
%   \rc{o}   & \ts{o}   & \verb|o|   &             &          & \\
%   \hline
%            &          &            & \rc{\i}     & \ts{i}   & \verb|\i|\\
%            &          &            & \rc{\a}     & \ts{a}   & \verb|\a|\\
%   \hline
% \end{tabular}\\
%
% \noindent The main source for the runic characters is \cite{Odenstedt}.
%
% Note that the two main forms of the h-rune were not used together.
% The rune \rc{h} was used in Scandinavia, and the rune \rc{\h} was used on the
% Continent.
%
% Some of the variant forms have uncertain interpretations. I have chosen just one of
% the proposed ones. F.x. the \rc{\Ing} might be a double \rc{w} (w) or a ligature
% of \rc{i} (i) and \rc{\ng} (\ng), the \rc{\ING} might be a double \rc{\th} (\th) or a ligature
% of \rc{i} (i) and \rc{\ng} (\ng), and the \rc{D} might be a peculiar \rc{d} (d) or
% a big \rc{\NG} (\ng). See \cite{Odenstedt} for an overview of the arguments.
%
% Of the several
% zig-zag forms of the s-rune, only a few have occurred in inscriptions,
% but for the sake of symmetry, forms with all number of strokes from three
% to eight are included.
%
% The two runes in the last section are from the stone from R\"ok, from the part of the
% inscription written with common Germanic runes. They have been put
% in a separate section here, since being anachronistic, they do not
% really belong to the common Germanic runes.
%
% \pagebreak
%
% \subsection*{The Anglo-Frisian Runes}
% \noindent
% \begin{tabular}{|c|c|c|c|c|c|}
%   \hline
%   \multicolumn{3}{|c|}{Main runes} & \multicolumn{3}{c|} {Variant forms}    \\
%   \hline
%   Rune & Translit. & \LaTeX & Rune & Translit. & \LaTeX \\
%   \hline
%   \ra{f}   & \ts{f}   & \verb|f|   & \ra{F}      & \ts{f}   & \verb|F|\\
%   \ra{u}   & \ts{u}   & \verb|u|   & \ra{U}      & \ts{u}   & \verb|U|\\
%   \ra{\th} & \ts{\th} & \verb|\th| or \texttt{\th}
%                                    &             &          & \\
%   \ra{o}   & \ts{o}   & \verb|o|   &             &          & \\
%   \ra{r}   & \ts{r}   & \verb|r|   &             &          & \\
%   \ra{c}   & \ts{c}   & \verb|c|   & \ra{\c}     & \ts{c}   & \verb|\c|\\
%   \ra{g}   & \ts{g}   & \verb|g|   &             &          & \\
%   \ra{w}   & \ts{w}   & \verb|w|   &             &          & \\
%   \ra{h}   & \ts{h}   & \verb|h|   & \ra{\h}     & \ts{h}   & \verb|\h|  \\
%            &          &            & \ra{H}      & \ts{h}   & \verb|H|\\
%   \ra{n}   & \ts{n}   & \verb|n|   &             &          & \\
%   \ra{i}   & \ts{i}   & \verb|i|   &             &          & \\
%   \ra{j}   & \ts{j}   & \verb|j|   & \ra{\j}     & \ts{j}   & \verb|\j|\\
%            &          &            & \ra{J}      & \ts{j}   & \verb|J|\\
%   \ra{I}   & \ts{\sharpi} & \verb|I| or \texttt{\"i}
%                                    &             &          & \\
%   \ra{p}   & \ts{p}   & \verb|p|   & \ra{P}      & \ts{p}(?)& \verb|P|\\
%   \ra{x}   & \ts{x}   & \verb|x|   &             &          & \\
%   \ra{s}   & \ts{s}   & \verb|s|   & \ra{S}      & \ts{s}   & \verb|S|\\
%            &          &            & \ra{\sthree} & \ts{s}  & \verb|\sthree|\\
%            &          &            & \ra{\sfour} & \ts{s}   & \verb|\sfour|\\
%            &          &            & \ra{\sfive} & \ts{s}   & \verb|\sfive|\\
%            &          &            & \ra{\ssix}  & \ts{s}   & \verb|\ssix|\\
%            &          &            & \ra{\sseven} & \ts{s}   & \verb|\sseven|\\
%            &          &            & \ra{\seight} & \ts{s}   & \verb|\seight|\\
%   \ra{t}   & \ts{t}   & \verb|t|   &             &          & \\
%   \ra{b}   & \ts{b}   & \verb|b|   & \ra{B}      & \ts{b}   & \verb|B|\\
%   \ra{e}   & \ts{e}   & \verb|e|   &             &          & \\
%   \ra{m}   & \ts{m}   & \verb|m|   &             &          & \\
%   \ra{l}   & \ts{l}   & \verb|l|   &             &          & \\
%   \ra{\ng} & \ts{\ng} & \verb|\ng|  or \texttt{\ng}
%                                     &            &          & \\
%   \ra{d}   & \ts{d}   & \verb|d|   & \ra{\d}      & \ts{d}   & \verb|\d|\\
%            &          &            & \ra{D}     & \ts{d}   & \verb|D|\\
%   \ra{\oe} & \ts{\oe} & \verb|\oe| or \texttt{\oe}  & \ra{\OE} & \ts{\oe} & \verb|\OE| or \texttt{\OE} \\
%   \ra{a}   & \ts{a}   & \verb|a|   &             &          & \\
%   \ra{\ae} & \ts{\ae} & \verb|\ae| or \texttt{\ae}  &             &          & \\
%   \ra{y}   & \ts{y}   & \verb|y|   & \ra{\y}     & \ts{y}   & \verb|\y|\\
%            &          &            & \ra{Y}      & \ts{y}   & \verb|Y|\\
%   \ra{\ea} & \ts{\t ea} & \verb|\ea| &             &          & \\
%   \hline
% \end{tabular}
%
% \pagebreak
%
% \subsection*{The Anglo-Frisian Runes (continued)}
% \noindent
% \begin{tabular}{|c|c|c|c|c|c|}
%   \hline
%   \multicolumn{3}{|c|}{Main runes} & \multicolumn{3}{c|} {Variant forms}    \\
%   \hline
%   Rune & Translit. & \LaTeX & Rune & Translit. & \LaTeX \\%   \hline
%   \ra{\g} & \ts{\=g} & \verb|\g| & \ra{\G}    & \ts{\=g} & \verb|\G| \\
%   \ra{k}   & \ts{k}   & \verb|k|   &             &          & \\
%   \ra{\k} & \ts{\=k} & \verb|\k| &             &          & \\
%   \ra{\rex} & \ts{rex}(?)   & \verb|\rex|   &             &          & \\
%   \hline
%   \ra{q}   & \ts{q}   & \verb|q|   &             &          & \\
%   \ra{\stan} & \ts{st}(?)   & \verb|\stan|   & \ra{\STAN} & \ts{st}(?)   & \verb|\STAN|   \\
%   \hline
% \end{tabular}\\
%
% \noindent The main sources for the runic characters are \cite{Odenstedt}, \cite{Page} and \cite{Parsons99}.
%
% The table is divided in three sections. First comes the 28 ''real'' runes.
% Of the several
% zig-zag forms of the s-rune, only a few have occurred in inscriptions,
% but for the sake of symmetry, forms with all number of strokes from three
% to eight are included.
% The \ra{P} rune occurs, as far as I know,
% only on the Westeremden B inscription, see~\cite{Quak}, p.~84-85. There are some other strange runes
% in this inscription that I also might include.
%
% In the second section some runes are listed
% that never seem to have been part of the futhorc, nevertheless are known from ''real''
% inscriptions. The symbol \ra{\rex} only occurs on coins, and does not seem to be a widely
% accepted rune; it is described in
% \cite{Parsons99},~p.~84-85. In the last section, two (three) late Anglo-Saxon ''pseudo runes''
% have been listed. They have, as far as I know,
% never been used for ''real'' writing, but occur only in late manuscript futhorcs; probably
% as a product of runic antiquarians. Often a rune \ra{j} called \ts{ior} is taken to this group.
% I consider it equal to the main variant of \ts{j}. For these ''pseudo runes'',
% \cite{Parsons94} provided most of the information.
%
%
% When transliterating the runes there are several systems to choose from. I have used what I think is
% most common practice, bold sans serif, for all kinds of runes, even for the
% Anglo-Saxon runes. I'm however well aware of the the
% Dickins-Page system, with letterspaced medium roman characters within single
% quotes, which is preferred by at least some British runologists.
% More on this can be found in \cite{Derolez}. Compare \ts{\t eadric} with 'ea d r i c', for \ra{\ea dric}.
%
% \pagebreak
%
% \subsection*{The Normal Runes}
% \begin{tabular}{|c|c|c|c|c|c|}
%   \hline
%   \multicolumn{3}{|c|}{}                                            &
%   \multicolumn{3}{c|} {\raisebox{-1pt}[0cm][0cm]{Dotted runes and}} \\
%   \multicolumn{3}{|c|}{\raisebox{ 2ex}[0cm][0cm]{Main runes}}       &
%   \multicolumn{3}{c|} {\raisebox{ 1pt}[0cm][0cm]{variant forms}}    \\
%   \hline
%   Rune & Translit. & \LaTeX & Rune & Translit. & \LaTeX \\
%   \hline
%   \rn{f}   & \ts{f}     & \verb|f|   & \rn{F}    & \ts{f}     & \verb|F|\\
%   \rn{u}   & \ts{u}     & \verb|u|   & \rn{y}    & \ts{y}     & \verb|\.u| or \verb|y| \\
%   \rn{\th} & \ts{\th}   & \verb|\th| or \texttt{\th}
%                                      & \rn{\TH}  & \ts{\th}   & \verb|\TH| or \texttt{\TH}\\
%   \rn{A}   & \ts{\k{a}} & \verb|A|   & \rn{\A}   & \ts{\k{a}} & \verb|\A|\\
%   \rn{r}   & \ts{r}     & \verb|r|   &           &            & \\
%   \rn{k}   & \ts{k}     & \verb|k|   & \rn{g}    & \ts{g}     & \verb|\.k| or \verb|g| \\
%   \rn{h}   & \ts{h}     & \verb|h|   &           &            & \\
%   \rn{n}   & \ts{n}     & \verb|n|   &           &            & \\
%   \rn{i}   & \ts{i}     & \verb|i|   & \rn{e}    & \ts{e}     & \verb|\.i| or \verb|e| \\
%   \rn{a}   & \ts{a}     & \verb|a|   &           &            & \\
%   \rn{s}   & \ts{s}     & \verb|s|   & \rn{S}    & \ts{s}     & \verb|S|\\
%   \rn{t}   & \ts{t}     & \verb|t|   &           &            & \\
%   \rn{b}   & \ts{b}     & \verb|b|   & \rn{B}    & \ts{b}     & \verb|B|\\
%   \rn{m}   & \ts{m}     & \verb|m|   & \rn{\"m}  & \ts{m}     & \verb|\"m| or \verb|\m|\\
%            &            &            & \rn{M}    & \ts{m}     & \verb|M|\\
%            &            &            & \rn{\"M}  & \ts{m}     & \verb|\"M| or \verb|\M|\\
%   \rn{l}   & \ts{l}     & \verb|l|   &           &            & \\
%   \rn{R}   & \ts{R}     & \verb|R|   &           &            & \\
% \hline
% \end{tabular}\\
%
% \noindent
% The runic characters are compiled from the following sources:
% \cite {Ahlen}, \cite{DRI}, \cite{Enoksen}, \cite{Jansson} and \cite{Moltke}.
%
%
% \pagebreak
%
% \subsection*{The Short-Twig Runes}
% \noindent
% \begin{tabular}{|c|c|c|c|c|c|}
%   \hline
%   \multicolumn{3}{|c|}{Main runes} & \multicolumn{3}{c|} {Variant forms}    \\
%   \hline
%   Rune & Translit. & \LaTeX & Rune & Translit. & \LaTeX \\
%   \hline
%   \rt{f}   & \ts{f}     & \verb|f|   & \rt{F}    & \ts{f}     & \verb|F|\\
%   \rt{u}   & \ts{u}     & \verb|u|   & \rt{U}    & \ts{u}     & \verb|U| \\
%   \rt{\th} & \ts{\th}   & \verb|\th| or \texttt{\th}
%                                      & \rt{\TH}  & \ts{\th}   & \verb|\TH| or \texttt{\TH}\\
%   \rt{A}   & \ts{\k{a}} & \verb|A|   & \rt{\A}   & \ts{\k{a}} & \verb|\A|\\
%   \rt{r}   & \ts{r}     & \verb|r|   &           &            & \\
%   \rt{k}   & \ts{k}     & \verb|k|   &           &            & \\
%   \rt{h}   & \ts{h}     & \verb|h|   & \rt{\h}   & \ts{h}     & \verb|\h|\\
%   \rt{n}   & \ts{n}     & \verb|n|   &           &            & \\
%   \rt{i}   & \ts{i}     & \verb|i|   &           &            & \\
%   \rt{a}   & \ts{a}     & \verb|a|   &           &            & \\
%   \rt{s}   & \ts{s}     & \verb|s|   & \rt{\s}   & \ts{s}     & \verb|\s|\\
%   \rt{t}   & \ts{t}     & \verb|t|   & \rt{\t}   & \ts{t}     & \verb|\t|\\
%            &            &            & \rt{T}    & \ts{t}     & \verb|T| \\
%   \rt{b}   & \ts{b}     & \verb|b|   & \rt{\b}   & \ts{b}     & \verb|\b| \\
%   \rt{m}   & \ts{m}     & \verb|m|   & \rt{\m}   & \ts{m}     & \verb|\m|\\
%            &            &            & \rt{M}    & \ts{m}     & \verb|M|\\
%   \rt{l}   & \ts{l}     & \verb|l|   & \rt{\l}   & \ts{l}     & \verb|\l|\\
%            &            &            & \rt{L}    & \ts{l}     & \verb|L| \\
%   \rt{R}   & \ts{R}     & \verb|R|   & \rt{\R}   & \ts{R}     & \verb|\R|\\
% \hline
% \end{tabular}\\
%
% \noindent
% The runic characters are compiled from
% the following sources: \cite{Enoksen}, \cite{Jansson} and \cite{Moltke}.
%
% \pagebreak
%
% \subsection*{The Staveless Runes}
% \noindent
% \begin{tabular}{|c|c|c|c|c|c|}
%   \hline
%   \multicolumn{3}{|c|}{Main runes} & \multicolumn{3}{c|} {Variant forms}    \\
%   \hline
%   Rune & Translit. & \LaTeX & Rune & Translit. & \LaTeX \\
%   \hline
%   \rl{f}   & \ts{f}     & \verb|f| & & & \\
%   \rl{u}   & \ts{u}     & \verb|u| & & &  \\
%   \rl{\th} & \ts{\th}   & \verb|\th| or \texttt{\th} & & &  \\
%   \rl{A}   & \ts{\k{a}} & \verb|A| &  \rl{\A}   & \ts{\k{a}} & \verb|\A| \\
%   \rl{r}   & \ts{r}     & \verb|r| & & &  \\
%   \rl{k}   & \ts{k}     & \verb|k| & & &  \\
%   \rl{h}   & \ts{h}     & \verb|h| & & &  \\
%   \rl{n}   & \ts{n}     & \verb|n| & & &  \\
%   \rl{i}   & \ts{i}     & \verb|i| & & &  \\
%   \rl{a}   & \ts{a}     & \verb|a| & & &  \\
%   \rl{s}   & \ts{s}     & \verb|s| & & &  \\
%   \rl{t}   & \ts{t}     & \verb|t| & & &  \\
%   \rl{b}   & \ts{b}     & \verb|b| & & &  \\
%   \rl{m}   & \ts{m}     & \verb|m| & & &  \\
%   \rl{l}   & \ts{l}     & \verb|l| & & &  \\
%   \rl{R}   & \ts{R}     & \verb|R| & & &  \\
% \hline
% \end{tabular}\\
%
% \noindent The main source for the runic characters is \cite{Peterson94}.
%
% This font covers the staveless runes known mainly from H\"alsingland, Sweden. Other
% staveless runes occurred in S\"odermanland, Sweden; they are not covered here.
%
% The rune for \ts{\k{a}} has never been found
% in a typical inscription. Its assumed appearance, \rl{A},
% is based upon the symmetry considerations, and is a rather widely accepted guess.
% However, in a late Norwegian inscription, the form \rl{\A} was used, p.~244 in~\cite{Peterson94}.
%
% The height of the \rl{f}, \rl{k}, \rl{h} and \rl{s} runes could vary quite a lot;
% here only some kind of average form is used.
%
% \pagebreak
%
% \subsection*{The Medieval Runes}
% \begin{tabular}{|c|c|c|c|c|c|}
%   \hline
%   \multicolumn{3}{|c|}{Main runes} & \multicolumn{3}{c|} {Variant forms}    \\
%   \hline
%   Rune & Translit. & \LaTeX & Rune & Translit. & \LaTeX \\
%   \hline
%   \rm{a}   & \ts{a}     & \verb|a|   & \rm{\.a}  & \ts{a}     & \verb|\a| or \verb|\.a| \\
%            &            &            & \rm{\'a}  & \ts{a} (or \ts{\r a})    & \verb|\adot| or \verb|\'a|\\
%            &            &            & \rm{A}    & \ts{a}     & \verb|A| \\
%   \rm{b}   & \ts{b}     & \verb|b|   & \rm{B}    & \ts{b}     & \verb|B| \\
%   \rm{c}   & \ts{c}     & \verb|c|   & \rm{\.c}  & \ts{c}     & \verb|\c| or \verb|\.c| \\
%            &            &            & \rm{\^c}  & \ts{c}     & \verb|C| or \verb|\^c| \\
%   \rm{d}   & \ts{d}     & \verb|d| or \verb|\.t| &
%   \rm{\=t} & \ts{d}     & \verb|\tbar| or \verb|\=t|\\
%            &            &            & \rm{\'t}  & \ts{d}     & \verb|\tdot| or \verb|\'t|\\
%            &            &            & \rm{\~t}  & \ts{d}     & \verb|\tflag| or \verb|\~t|\\
%            &            &            & \rm{\^t}  & \ts{d}     & \verb|\tring| or \verb|\^t|\\
%            &            &            & \rm{D}    & \ts{d}     & \verb|D| or \verb|\.T| \\
%            &            &            & \rm{\"T}  & \ts{d}     & \verb|\D| or \verb|\"T|\\
%   \rm{e}   & \ts{e}     & \verb|e| or \verb|\.i| &
%   \rm{\e}  & \ts{e}     & \verb|\e| or \verb|\=i| \\
%            &            &            & \rm{\^i}  & \ts{e}     & \verb|E| or \verb|\^i|\\
%   \rm{f}   & \ts{f}     & \verb|f|   & \rm{F}    & \ts{f}     & \verb|F| \\
%   \rm{g}   & \ts{g}     & \verb|g| or \verb|\.k| &
%   \rm{G}   & \ts{g}     & \verb|G| or \verb|\'k| \\
%            &            &            & \rm{\=k}  & \ts{g}     & \verb|\g| or \verb|\=k|\\
%   \rm{h}   & \ts{h}     & \verb|h|   & \rm{\h}   & \ts{h}     & \verb|\h| \\
%            &            &            & \rm{H}    & \ts{h}     & \verb|H| \\
%   \rm{i}   & \ts{i}     & \verb|i|   &           &            & \\
%   \rm{k}   & \ts{k}     & \verb|k|   &           &            & \\
%   \rm{l}   & \ts{l}     & \verb|l|   & \rm{\.l}  & \ts{l}     & \verb|\l| or \verb|\.l|\\
%            &            &            & \rm{\=l}  & \ts{l}     & \verb|\lbar| or \verb|\=l|\\
%            &            &            & \rm{\'l}  & \ts{l}     & \verb|\ldot| or \verb|\'l|\\
%            &            &            & \rm{\~l}  & \ts{l}     & \verb|\lflag| or \verb|\~l|\\
%            &            &            & \rm{\^l}  & \ts{l}     & \verb|\lring| or \verb|\^l|\\
%   \rm{m}   & \ts{m}     & \verb|m|   & \rm{\m}   & \ts{m}     & \verb|\m| \\
%   \rm{n}   & \ts{n}     & \verb|n|   & \rm{\.n}  & \ts{n}     & \verb|\n| or \verb|\.n|\\
%            &            &            & \rm{\'n}  & \ts{n}     & \verb|\ndot| or \verb|\'n| \\
%            &            &            & \rm{N}    & \ts{n}     & \verb|N| \\
%            &            &            & \rm{\.N}  & \ts{n}     & \verb|\N| or \verb|\.N|\\
%   \rm{o}   & \ts{o}     & \verb|o|   &           &            & \\
%   \rm{p}   & \ts{p}     & \verb|p| or \verb|\"b|
%                                      & \rm{\.b}  & \ts{p}     & \verb|\p| or \verb|\.b| \\
%            &            &            & \rm{\P}   & \ts{p}     & \verb|\P| \\
%            &            &            & \rm{\"\P} & \ts{p}     & \verb|\Pdots| or \verb|\"\P| \\
%            &            &            & \rm{P}    & \ts{p}     & \verb|P| \\
%   \rm{q}   & \ts{q}     & \verb|q|   & \rm{\q}   & \ts{q}     & \verb|\q| \\
%            &            &            & \rm{\Q}   & \ts{q}     & \verb|\Q| \\
%   \rm{r}   & \ts{r}     & \verb|r|   & \rm{\.r}  & \ts{\"r}   & \verb|\rdot| or \verb|\.r|\\
%            &            &            & \rm{\r}   & \ts{r}     & \verb|\r| \\
%   \hline
% \end{tabular}
% \pagebreak
%
% \subsection*{The Medieval Runes (continued)}
% \begin{tabular}{|c|c|c|c|c|c|}
%   \hline
%   \multicolumn{3}{|c|}{Main runes} & \multicolumn{3}{c|} {Variant forms}    \\
%   \hline
%   Rune & Translit. & \LaTeX & Rune & Translit. & \LaTeX \\
%   \hline
%   \rm{s}   & \ts{s}     & \verb|s|   & \rm{S}    & \ts{s}     & \verb|S| \\
%            &            &            & \rm{\S}   & \ts{s}     & \verb|\S| \\
%   \rm{t}   & \ts{t}     & \verb|t|   & \rm{T}    & \ts{t}     & \verb|T| \\
%            &            &            & \rm{\T}   & \ts{t}     & \verb|\T| \\
%   \rm{\th} & \ts{\th}   & \verb|\th| or \texttt{\th}
%                                      & \rm{\TH}  & \ts{\th}   & \verb|\TH| or \texttt{\TH}\\
%            &            &            & \rm{\thth} & \ts{\th}   & \verb|\thth| \\
%   \rm{\dh} & \ts{\dh}   & \verb|\dh| or \texttt{\dh} or \verb|\.\th|
%                                      & \rm{\DH}  & \ts{\dh}   & \verb|\DH| or \texttt{\DH} or \verb|\.\TH|\\
%   \rm{u}   & \ts{u}     & \verb|u|   &           &            & \\
%   \rm{v}   & \ts{v}     & \verb|v| or \verb|\.u| &
%   \rm{\.f} & \ts{v}     & \verb|V| or \verb|\.f|\\
%            &            &            & \rm{\'f}  & \ts{v}     & \verb|\v| or \verb|\'f| \\
%            &            &            & \rm{\~f}  & \ts{v}     & \verb|\V| or \verb|\~f| \\
%   \rm{w}   & \ts{w}     & \verb|w|   &           &            & \\
%   \rm{x}   & \ts{x}     & \verb|x|   & \rm{\x}   & \ts{x}     & \verb|\x| \\
%            &            &            & \rm{X}    & \ts{x}     & \verb|X| \\
%            &            &            & \rm{\X}   & \ts{x}     & \verb|\X| \\
%   \rm{y}   & \ts{y}     & \verb|y|   & \rm{Y}    & \ts{y}     & \verb|Y| \\
%            &            &            & \rm{v}    & \ts{y}     & \verb|v| or \verb|\.u| \\
%            &            &            & \rm{\y}   & \ts{y}     & \verb|\y| or \verb|\"u| \\
%            &            &            & \rm{\Y}   & \ts{y}     & \verb|\Y| or \verb|\=u| \\
%   \rm{z}   & \ts{z}     & \verb|z|   & \rm{\z}   & \ts{z}     & \verb|\z| \\
%            &            &            & \rm{Z}    & \ts{z}     & \verb|Z| \\
%   \rm{\ae} & \ts{\ae}   & \texttt{\"a} or \texttt{\ae} or \verb|\ae| &           &            & \\
%   \rm{\o}  & \ts{\o}    & \verb|\o| or \texttt{\"o} or \texttt{\o}
%                                      & \rm{\O}   & \ts{\o}    & \verb|\O| or \texttt{\"O}, \texttt{\O} \\
%            &            &            & \rm{\oo}  & \ts{\o}    & \verb|\oo| \\
%            &            &            & \rm{\oO}  & \ts{\o}    & \verb|\oO| \\
%   \rm{\ey} & \ts{ey} or \ts{\o y}   & \verb|\ey|   &         &            & \\
%   \hline
%   \rm{\arlaug}   &         & \verb|\arlaug|   &           &            & \\
%   \rm{\tvimadur} &         & \verb|\tvimadur| &           &            & \\
%   \rm{\belgthor} &         & \verb|\belgthor| &           &            & \\
%   \hline
%   \rm{j}   & \ts{j}     & \verb|j|   &           &            & \\
%   \rm{\aa} & \ts{\r a}   & \texttt{\r a} or \verb|\aa|  &           &            & \\
% \hline
% \end{tabular}\\
%
% \noindent The main source for the medieval runic characters is \cite{Runmarkt}, with support
% from \cite{DRI}, \cite{Enoksen}, \cite{Jansson}, \cite{Moltke} and \cite{Haugen} (despite the
% claim in the later of ''ikke må oppfattatast som nokon autoritativ katalog''). Finally, the
% rune \textarm{\"\P} from Schleswig, is from \cite{Spurkland} and the rune \textarm{\.r} is
% from \cite{Larsson}.
%
% The table is divided in three sections. First come the ''real'' runes, as an alphabet, not
% as an futhark. Next, the three bind-runes that always occurred in rune
% staves (runic calendars) are listed. Finally come two runes used by, and invented by, a modern
% Swedish rune carver, Kalle Dahlgren, \cite{Dahlgren} to make it possible to use runes for writing
% in the Swedish language of today. I put them here because modern swedish rune carvers essentially use
% the medieval runes ---
% complemented with these two. However, Kalle Dahlgren has changed his
% mind, and now uses the \rm{\adot} rune instead of the \rm{\aa} for the letter \r a.
%
% Note that the runic symbols for c, s and z respectively, were to an large extent
% interchangeable. In the table above they are however not duplicated.
%
% \flushleft
% \begin{thebibliography}{99}
% \bibitem[\r Ahl\'en 1997]{Ahlen} \r Ahl\'en, Marit. 1997. \textit{Runristaren \"Opir}.
%   Runr\"on~12. Uppsala.
% \bibitem[Barnes 1994]{Barnes} Barnes, Michael P. 1994. \textit{The Runic Inscriptions
%   of Maeshowe, Orkney}. Runr\"on~8. Uppsala.
% \bibitem[Dahlgren 2000]{Dahlgren} Dahlgren, Kalle. 2000, 2003. \verb+http://www.runristare.se/+
% \bibitem[Derolez 1995]{Derolez} Derolez, Ren\'e. 1995.
%   'On the ''Otherness'' of the Anglo-Saxon Runes and the ''Perfect
%   Fit'' of the Fu\th ark'. In: \textit{Runeninschriften als
%   Quellen interdisziplin\"arer Forschung}. Erg\"anzungsb\"ande zum
%   Reallexikon der Germanischen Altertumskunde~15. Berlin/New York.
% \bibitem[\textit{DRI} 1941-1942]{DRI} \textit{Danmarks runeindskrifter}.
%   Ed.\ Jacobsen, Lis \& Moltke, Erik. K\o benhavn 1941-1942.
% \bibitem[Enoksen 1998]{Enoksen} Enoksen, Lars Magnar. 1998.
%   \textit{Runor. Historia, tydning, tolkning}. Lund.
% \bibitem[Haugen 1996]{Haugen} Haugen, Odd Einar. 1996.
%   \verb+http://www.hit.uib.no/Runefonter/Gullskoen.html+
%   \verb+http://www.hit.uib.no/Runefonter/AlfabetGullskoen.pdf+
%   \textit{Alfabetisk oversyn over Gullskoen runefont, versjon 2.1}. Bergen.
% \bibitem[Haugen 2001]{Haugen2001} Haugen, Odd Einar. 2001.
%   \verb+http://www.hit.uib.no/Runefonter/Gullhornet.html+
%   \verb+http://www.hit.uib.no/Runefonter/AlfabetGullhorn.pdf+
%   \textit{Gullhornet runefont. Oversyn over inventaret i versjon 1.0}. Bergen.
% \bibitem[Jansson 1987]{Jansson} Jansson, Sven B.\ F. 1987.
%   \textit{Runes in Sweden}. Stockholm.
% \bibitem[Larsson 2002]{Larsson} Larsson, Patrik. 2002. \textit{Yrrunan.
%   Användning och ljudvärde i nordiska runinskrifter}. Runr\"on~17. Uppsala.
% \bibitem[\textit{\LaTeX fCPW} 1999]{LaTeXfCPW} \textit{\LaTeX\ for class and package writers}.
%   Comes with the \LaTeXe\ distribution as \texttt{clsguide.tex}. 1999.
% \bibitem[Looijenga 1997]{Looijenga} Looijenga, Tineke. 1997.
%   \textit{Runes Around the North Sea and On the
%   Continent AD 150-700; Texts \& Contexts}. Groningen.
% \bibitem[Moltke 1985]{Moltke} Moltke, Erik. 1985. \textit{Runes and
%   Their Origin. Denmark and Elsewhere}. Copenhagen.
% \bibitem[Nienhuys 2003]{Nienhuys} Nienhuys, Han-Wen. 2003.
%   \verb+http://www.xs4all.nl/~hanwen/mftrace/+
%   \textit{mftrace - Scalable PostScript Fonts for MetaFont}. Utrecht.
% \bibitem[Odenstedt 1990]{Odenstedt} Odenstedt, Bengt. 1990.
%   \textit{On the Origin and Early History of the Runic
%   Script. Typology and Graphic Variation in the
%   Older Futhark}. Uppsala.
% \bibitem[Page 1999]{Page} Page, R.\ I. 1999. \textit{An Introduction to
%   English Runes}. Second Edition. Woodbridge.
% \bibitem[Parsons 1994]{Parsons94} Parsons, David. 1994. 'Anglo-Saxon Runes in
%   Continental Manuscripts'. In: \textit{Runische Schriftkultur in
%   kontinental-skandinavischer und -angel\-s\"achsischer Wechselbeziehung}.
%   Erg\"anzungsb\"ande zum Reallexikon der Germanischen Altertumskunde~10. Berlin/New York.
% \bibitem[Parsons 1999]{Parsons99} Parsons, David N. 1999. \textit{Recasting the Runes.
%   The Reform of the Anglo-Saxon Futhorc}. Runr\"on~14. Uppsala.
% \bibitem[Peterson 1994]{Peterson94} Peterson, Lena. \textit{The Graphemic System of the
%   Staveless Runes}. In:~\cite{Proceedings94}.
% \bibitem[\textit{3:d ISRRI} 1994]{Proceedings94} \textit{Proceedings of the Third International
%   Symposium on Runes and Runic Inscriptions}. Runr\"on~9. Ed.\ James E.\ Knirk. Uppsala~1994.
% \bibitem[Quak 1994]{Quak} Quak, Arend. \textit{Zur Inschrift von Westeremden B}.
%   In:~\cite{Proceedings94}.
% \bibitem[\textit{Runm\"arkt} 1994]{Runmarkt} \textit{Runm\"arkt. Fr\r an brev till klotter.
%   Runorna under medeltiden}.
%   Ed.\ Benneth, Solbritt \& \r Ahl\'en, Marit. Stockholm~1994.
% \bibitem[Spurkland 1994]{Spurkland} Spurkland, Terje. \textarm{\P} \textit{and}
%   \textarm{\"b}\textit{: One Grapheme or Two?}. In:~\cite{Proceedings94}.
% \bibitem[Unicode 2000]{Unicode} \verb+http://www.unicode.org/charts/+
% \bibitem[Werner 2002]{Werner} Werner, Carl-Gustav.
%   \verb+http://www.maths.lth.se/~carl/allrunes/+
% \end{thebibliography}
%
% \StopEventually{\AtEndDocument{\PrintIndex\PrintChanges}}
%
%<*sty>
% \section{\LaTeX\ Support Files}
%
% \subsection{The style file --- \texttt{allrunes.sty}}
% \file{allrunes.sty}
%
%
% \subsubsection{Initializing}
%
% First we need to identify the package, its version and release
% date, etc.
%    \begin{macrocode}
\def\fileversion{v2.1}
\def\filedate{2004/01/06}
\ProvidesPackage{allrunes}[\filedate\space\fileversion\space allrunes package.]

%    \end{macrocode}
% The font selection scheme depends heavily on the ifthen package.
%    \begin{macrocode}
\RequirePackage{ifthen}

%    \end{macrocode}
% Most of the font declaring calls are so similar. Here we redefine
% it to save space and typing. 
%    \begin{macrocode}
\newcommand{\DeclareFontShapeWithSizes}[5]{%
  \DeclareFontShape{#1}{#2}{#3}{#4}{%
   <5><6><7><8><9><10><10.95><12><14.4><17.28><20.74><24.88><29.86><35.83> #5}{}}

\ProcessOptions\relax
%    \end{macrocode}
% Here the user interface, i.e. the commands for the user, for font
% changing are defined. First comes the series. Since
% bfdefault and mddefault are already defined in fonttext.ltx
% they are not defined here.
%    \begin{macrocode}
%\newcommand{\bfdefault}{bx} % bold
%\newcommand{\mddefault}{m}  % medium
\newcommand{\lfdefault}{l}   % light
\newcommand{\bldefault}{c}   % bold with lines
\newcommand{\mldefault}{n}   % medium with lines
\newcommand{\lldefault}{k}   % light with lines

%    \end{macrocode}
% The bfseries and mdseries are already defined in latex.ltx
% They are redefined here, hopefully this will not interfere
% with their usage outside the allrunes commands.
%    \begin{macrocode}
\DeclareRobustCommand{\lfseries}{%
  \ifthenelse{\equal{\f@series}{\mddefault}}%
              {\fontseries{\lfdefault}\selectfont}{}%
  \ifthenelse{\equal{\f@series}{\mldefault}}%
              {\fontseries{\lldefault}\selectfont}{}%
  \ifthenelse{\equal{\f@series}{\bfdefault}}%
              {\fontseries{\lfdefault}\selectfont}{}%
  \ifthenelse{\equal{\f@series}{\bldefault}}%
              {\fontseries{\lldefault}\selectfont}{}%
}

\DeclareRobustCommand{\mdseries}{%
  \not@math@alphabet\mdseries\relax
  \ifthenelse{\equal{\f@series}{\lfdefault}}%
              {\fontseries{\mddefault}\selectfont}{}%
  \ifthenelse{\equal{\f@series}{\lldefault}}%
              {\fontseries{\mldefault}\selectfont}{}%
  \ifthenelse{\equal{\f@series}{\bfdefault}}%
              {\fontseries{\mddefault}\selectfont}{}%
  \ifthenelse{\equal{\f@series}{\bldefault}}%
              {\fontseries{\mldefault}\selectfont}{}%
}

\DeclareRobustCommand{\bfseries}{%
  \not@math@alphabet\bfseries\mathbf
  \ifthenelse{\equal{\f@series}{\lfdefault}}%
              {\fontseries{\bfdefault}\selectfont}{}%
  \ifthenelse{\equal{\f@series}{\lldefault}}%
              {\fontseries{\bldefault}\selectfont}{}%
  \ifthenelse{\equal{\f@series}{\mddefault}}%
              {\fontseries{\bfdefault}\selectfont}{}%
  \ifthenelse{\equal{\f@series}{\mldefault}}%
              {\fontseries{\bldefault}\selectfont}{}%
}

\DeclareRobustCommand{\withlines}{%
  \ifthenelse{\equal{\f@series}{\bfdefault}}%
              {\fontseries{\bldefault}\selectfont}{}%
  \ifthenelse{\equal{\f@series}{\mddefault}}%
              {\fontseries{\mldefault}\selectfont}{}%
  \ifthenelse{\equal{\f@series}{\lfdefault}}%
              {\fontseries{\lldefault}\selectfont}{}%
}

\DeclareRobustCommand{\withoutlines}{%
  \ifthenelse{\equal{\f@series}{\bldefault}}%
              {\fontseries{\bfdefault}\selectfont}{}%
  \ifthenelse{\equal{\f@series}{\mldefault}}%
              {\fontseries{\mddefault}\selectfont}{}%
  \ifthenelse{\equal{\f@series}{\lldefault}}%
              {\fontseries{\lfdefault}\selectfont}{}%
}


% textbf and textmd already defined in latex.ltx
%\DeclareTextFontCommand{\textbf}{\bfseries}
%\DeclareTextFontCommand{\textmd}{\mdseries}
\DeclareTextFontCommand{\textlf}{\lfseries}

\DeclareTextFontCommand{\textwol}{\withoutlines}
\DeclareTextFontCommand{\textwil}{\withlines}

%    \end{macrocode}
% The comes the shape
% which is not used for "shape" but for curvature of the twigs
% and the variation of the position of the twigs.
%
% The updefault is already defined in fonttext.ltx, and we keep it
% here as default, even if it's not "up"
%    \begin{macrocode}
%\newcommand{\updefault}{n} % curved
\newcommand{\stdefault}{s}  % straight
\newcommand{\rodefault}{r}  % rounded

\newcommand{\cwdefault}{m} % curved,   low twigs
\newcommand{\swdefault}{t} % straight, low twigs
\newcommand{\rwdefault}{q} % rounded,  low twigs

\DeclareRobustCommand{\curvedtwigs}{%
  \ifthenelse{\equal{\f@shape}{\stdefault}}%
              {\fontshape{\updefault}\selectfont}{}%
  \ifthenelse{\equal{\f@shape}{\swdefault}}%
              {\fontshape{\cwdefault}\selectfont}{}%
  \ifthenelse{\equal{\f@shape}{\rodefault}}%
              {\fontshape{\updefault}\selectfont}{}%
  \ifthenelse{\equal{\f@shape}{\rwdefault}}%
              {\fontshape{\cwdefault}\selectfont}{}%
}

\DeclareRobustCommand{\straighttwigs}{%
  \ifthenelse{\equal{\f@shape}{\updefault}}%
              {\fontshape{\stdefault}\selectfont}{}%
  \ifthenelse{\equal{\f@shape}{\cwdefault}}%
              {\fontshape{\swdefault}\selectfont}{}%
  \ifthenelse{\equal{\f@shape}{\rodefault}}%
              {\fontshape{\stdefault}\selectfont}{}%
  \ifthenelse{\equal{\f@shape}{\rwdefault}}%
              {\fontshape{\swdefault}\selectfont}{}%
}

\DeclareRobustCommand{\roundedtwigs}{%
  \ifthenelse{\equal{\f@shape}{\updefault}}%
              {\fontshape{\rodefault}\selectfont}{}%
  \ifthenelse{\equal{\f@shape}{\cwdefault}}%
              {\fontshape{\rwdefault}\selectfont}{}%
  \ifthenelse{\equal{\f@shape}{\stdefault}}%
              {\fontshape{\rodefault}\selectfont}{}%
  \ifthenelse{\equal{\f@shape}{\swdefault}}%
              {\fontshape{\rwdefault}\selectfont}{}%
}

\DeclareRobustCommand{\lowtwigs}{%
  \ifthenelse{\equal{\f@shape}{\updefault}}%
              {\fontshape{\cwdefault}\selectfont}{}%
  \ifthenelse{\equal{\f@shape}{\stdefault}}%
              {\fontshape{\swdefault}\selectfont}{}%
  \ifthenelse{\equal{\f@shape}{\rodefault}}%
              {\fontshape{\rwdefault}\selectfont}{}%
}

\DeclareRobustCommand{\hightwigs}{%
  \ifthenelse{\equal{\f@shape}{\cwdefault}}%
              {\fontseries{\updefault}\selectfont}{}%
  \ifthenelse{\equal{\f@shape}{\swdefault}}%
              {\fontseries{\stdefault}\selectfont}{}%
  \ifthenelse{\equal{\f@shape}{\rwdefault}}%
              {\fontseries{\rodefault}\selectfont}{}%
}

\DeclareTextFontCommand{\textcu}{\curvedtwigs}
\DeclareTextFontCommand{\textst}{\straighttwigs}
\DeclareTextFontCommand{\textro}{\roundedtwigs}

\DeclareTextFontCommand{\textlo}{\lowtwigs}
\DeclareTextFontCommand{\texthi}{\hightwigs}

%    \end{macrocode}
% Here are the declaration of the runic word separators.
% Of course they should not be here! They should reside in the fd-files.
% And they do. Here only a command for defining them are defined, which is then
% used in the fd-files. Silly? Ugly? But it works.
%
% Some of them have more than one name to make things orthogonal.
% All definitions occurres in all encodings.
%    \begin{macrocode}
\newcommand{\DeclareRuneSeparators}[1]{%
  \DeclareTextSymbol{\dot}{#1}{46}        % .
  \DeclareTextSymbol{\doubledot}{#1}{58}  % :
  \DeclareTextSymbol{\tripledot}{#1}{59}
  \DeclareTextSymbol{\quaddot}{#1}{60}
  \DeclareTextSymbol{\pentdot}{#1}{61}

  \DeclareTextSymbol{\eye}{#1}{46}        % .
  \DeclareTextSymbol{\doubleeye}{#1}{58}  % :
  \DeclareTextSymbol{\tripleeye}{#1}{62}
  \DeclareTextSymbol{\quadeye}{#1}{63}
  \DeclareTextSymbol{\penteye}{#1}{64}

  \DeclareTextSymbol{\bar}{#1}{33}        % !
  \DeclareTextSymbol{\doublebar}{#1}{34}
  \DeclareTextSymbol{\triplebar}{#1}{35}

  \DeclareTextSymbol{\cross}{#1}{42}      % *
  \DeclareTextSymbol{\doublecross}{#1}{37}
  \DeclareTextSymbol{\triplecross}{#1}{38}

  \DeclareTextSymbol{\plus}{#1}{43}       % +
  \DeclareTextSymbol{\doubleplus}{#1}{44}
  \DeclareTextSymbol{\tripleplus}{#1}{45}

  \DeclareTextSymbol{\star}{#1}{36}
  %\DeclareTextSymbol{\doublestar}{#1}{37}
  %\DeclareTextSymbol{\triplestar}{#1}{}

} % end of newcommand{\DeclareRuneSeparators}

\input{arc.fd}
\input{ara.fd}
\input{arn.fd}
\input{art.fd}
\input{arl.fd}
\input{arm.fd}

%    \end{macrocode}
%
%</sty>
%
% \subsection{The Font Definition Files --- \texttt{ar?.fd}}
%
% What they really do, is to specify what font driver file should be
% loaded when the user switches font.
%
%<*arc>
%
% \subsubsection{The Common Germanic Runes}
%    \begin{macrocode}
% THE COMMON GERMANIC RUNES

\DeclareFontEncoding{LRC}{}{}
\DeclareFontSubstitution{LRC}{fruc}{m}{n}

\DeclareFontFamily{LRC}{fruc}{}
\DeclareFontShapeWithSizes{LRC}{fruc}{m}{n}{frucmn}
\DeclareFontShapeWithSizes{LRC}{fruc}{m}{m}{frucmm}
\DeclareFontShapeWithSizes{LRC}{fruc}{m}{s}{frucms}
\DeclareFontShapeWithSizes{LRC}{fruc}{m}{t}{frucmt}
\DeclareFontShapeWithSizes{LRC}{fruc}{m}{r}{frucmr}
\DeclareFontShapeWithSizes{LRC}{fruc}{m}{q}{frucmq}

\DeclareFontShapeWithSizes{LRC}{fruc}{l}{n}{frucln}
\DeclareFontShapeWithSizes{LRC}{fruc}{l}{m}{fruclm}
\DeclareFontShapeWithSizes{LRC}{fruc}{l}{s}{frucls}
\DeclareFontShapeWithSizes{LRC}{fruc}{l}{t}{fruclt}
\DeclareFontShapeWithSizes{LRC}{fruc}{l}{r}{fruclr}
\DeclareFontShapeWithSizes{LRC}{fruc}{l}{q}{fruclq}

\DeclareFontShapeWithSizes{LRC}{fruc}{bx}{n}{frucbn}
\DeclareFontShapeWithSizes{LRC}{fruc}{bx}{m}{frucbm}
\DeclareFontShapeWithSizes{LRC}{fruc}{bx}{s}{frucbs}
\DeclareFontShapeWithSizes{LRC}{fruc}{bx}{t}{frucbt}
\DeclareFontShapeWithSizes{LRC}{fruc}{bx}{r}{frucbr}
\DeclareFontShapeWithSizes{LRC}{fruc}{bx}{q}{frucbq}

\DeclareFontShapeWithSizes{LRC}{fruc}{n}{n}{frucnn}
\DeclareFontShapeWithSizes{LRC}{fruc}{n}{m}{frucnm}
\DeclareFontShapeWithSizes{LRC}{fruc}{n}{s}{frucns}
\DeclareFontShapeWithSizes{LRC}{fruc}{n}{t}{frucnt}
\DeclareFontShapeWithSizes{LRC}{fruc}{n}{r}{frucnr}
\DeclareFontShapeWithSizes{LRC}{fruc}{n}{q}{frucnq}

\DeclareFontShapeWithSizes{LRC}{fruc}{k}{n}{fruckn}
\DeclareFontShapeWithSizes{LRC}{fruc}{k}{m}{fruckm}
\DeclareFontShapeWithSizes{LRC}{fruc}{k}{s}{frucks}
\DeclareFontShapeWithSizes{LRC}{fruc}{k}{t}{fruckt}
\DeclareFontShapeWithSizes{LRC}{fruc}{k}{r}{fruckr}
\DeclareFontShapeWithSizes{LRC}{fruc}{k}{q}{fruckq}

\DeclareFontShapeWithSizes{LRC}{fruc}{c}{n}{fruccn}
\DeclareFontShapeWithSizes{LRC}{fruc}{c}{m}{fruccm}
\DeclareFontShapeWithSizes{LRC}{fruc}{c}{s}{fruccs}
\DeclareFontShapeWithSizes{LRC}{fruc}{c}{t}{frucct}
\DeclareFontShapeWithSizes{LRC}{fruc}{c}{r}{fruccr}
\DeclareFontShapeWithSizes{LRC}{fruc}{c}{q}{fruccq}

% USER COMMANDS FOR SELECTING FONT FAMILY

\newcommand{\arcdefault}{fruc}
\newcommand{\arcfamily}{\usefont{LRC}{\arcdefault}{m}{n}}
\DeclareTextFontCommand{\textarc}{\arcfamily}

% USER COMMANDS FOR ACCESSING SPECIAL SYMBOLS IN THE DIFFERENT
% FONT FAMILIES AND DIFFERENT ENCODINGS

\DeclareTextSymbol{\th}{LRC}{254}
\DeclareTextSymbol{\TH}{LRC}{222}
\DeclareTextSymbol{\A}{LRC}{161}
\DeclareTextSymbol{\a}{LRC}{225}
\DeclareTextSymbol{\k}{LRC}{171}
\DeclareTextSymbol{\K}{LRC}{131}
\DeclareTextSymbol{\h}{LRC}{232}
\DeclareTextSymbol{\i}{LRC}{193}
\DeclareTextSymbol{\j}{LRC}{170}
\DeclareTextSymbol{\p}{LRC}{160}
\DeclareTextSymbol{\R}{LRC}{154}
\DeclareTextSymbol{\RR}{LRC}{122}
\DeclareTextSymbol{\s}{LRC}{195}
\DeclareTextSymbol{\S}{LRC}{196}
\DeclareTextSymbol{\sthree}{LRC}{211}
\DeclareTextSymbol{\sfour}{LRC}{227}
\DeclareTextSymbol{\sfive}{LRC}{243}
\DeclareTextSymbol{\ssix}{LRC}{212}
\DeclareTextSymbol{\sseven}{LRC}{228}
\DeclareTextSymbol{\seight}{LRC}{244}
\DeclareTextSymbol{\ng}{LRC}{173}
\DeclareTextSymbol{\NG}{LRC}{141}
\DeclareTextSymbol{\ing}{LRC}{181}
\DeclareTextSymbol{\Ing}{LRC}{189}
\DeclareTextSymbol{\ING}{LRC}{157}
\DeclareTextSymbol{\d}{LRC}{164}

% Commands for mirroring runes
% Variants that are commented out are identical to the non-mirrored form
\DeclareTextCommand{\hflip}{LRC}{}
\DeclareTextCommand{\vflip}{LRC}{}
\DeclareTextCommand{\turn}{LRC}{}

\DeclareTextComposite{\hflip}{LRC}{f}{174}
\DeclareTextComposite{\vflip}{LRC}{f}{166}
\DeclareTextComposite{\turn}{LRC}{f}{182}

\DeclareTextComposite{\hflip}{LRC}{F}{142}
\DeclareTextComposite{\vflip}{LRC}{F}{134}
\DeclareTextComposite{\turn}{LRC}{F}{150}

\DeclareTextComposite{\hflip}{LRC}{u}{229}
\DeclareTextComposite{\vflip}{LRC}{u}{221}
\DeclareTextComposite{\turn}{LRC}{u}{237}

\DeclareTextComposite{\hflip}{LRC}{U}{205}
\DeclareTextComposite{\vflip}{LRC}{U}{197}
\DeclareTextComposite{\turn}{LRC}{U}{213}

\DeclareTextComposite{\hflip}{LRC}{\th}{238}
%\DeclareTextComposite{\vflip}{LRC}{\th}{254}
\DeclareTextComposite{\turn}{LRC}{\th}{238}

\DeclareTextComposite{\hflip}{LRC}{a}{177}
\DeclareTextComposite{\vflip}{LRC}{a}{169}
\DeclareTextComposite{\turn}{LRC}{a}{185}

\DeclareTextComposite{\hflip}{LRC}{\a}{233}
%\DeclareTextComposite{\vflip}{LRC}{\a}{225}
\DeclareTextComposite{\turn}{LRC}{\a}{233}

\DeclareTextComposite{\hflip}{LRC}{r}{242}
\DeclareTextComposite{\vflip}{LRC}{r}{234}
\DeclareTextComposite{\turn}{LRC}{r}{250}

\DeclareTextComposite{\hflip}{LRC}{k}{163}
%\DeclareTextComposite{\vflip}{LRC}{k}{107}
\DeclareTextComposite{\turn}{LRC}{k}{163}

%\DeclareTextComposite{\hflip}{LRC}{\k}{171}
\DeclareTextComposite{\vflip}{LRC}{\k}{187}
\DeclareTextComposite{\turn}{LRC}{\k}{187}

%\DeclareTextComposite{\hflip}{LRC}{K}{75}
\DeclareTextComposite{\vflip}{LRC}{K}{155}
\DeclareTextComposite{\turn}{LRC}{K}{155}

%\DeclareTextComposite{\hflip}{LRC}{\K}{131}
\DeclareTextComposite{\vflip}{LRC}{\K}{139}
\DeclareTextComposite{\turn}{LRC}{\K}{139}

%\DeclareTextComposite{\hflip}{LRC}{g}{103}
%\DeclareTextComposite{\vflip}{LRC}{g}{103}
%\DeclareTextComposite{\turn}{LRC}{g}{103}

\DeclareTextComposite{\hflip}{LRC}{w}{175}
\DeclareTextComposite{\vflip}{LRC}{w}{191}
\DeclareTextComposite{\turn}{LRC}{w}{183}

\DeclareTextComposite{\hflip}{LRC}{h}{168}
\DeclareTextComposite{\vflip}{LRC}{h}{168}
%\DeclareTextComposite{\turn}{LRC}{h}{104}

\DeclareTextComposite{\hflip}{LRC}{\h}{240}
\DeclareTextComposite{\vflip}{LRC}{\h}{240}
%\DeclareTextComposite{\turn}{LRC}{\h}{232}

\DeclareTextComposite{\hflip}{LRC}{H}{136}
\DeclareTextComposite{\vflip}{LRC}{H}{136}
%\DeclareTextComposite{\turn}{LRC}{H}{72}

\DeclareTextComposite{\hflip}{LRC}{n}{158}
\DeclareTextComposite{\vflip}{LRC}{n}{158}
%\DeclareTextComposite{\turn}{LRC}{n}{110}

%\DeclareTextComposite{\hflip}{LRC}{i}{105}
%\DeclareTextComposite{\vflip}{LRC}{i}{105}
%\DeclareTextComposite{\turn}{LRC}{i}{105}

\DeclareTextComposite{\hflip}{LRC}{\i}{201}
\DeclareTextComposite{\vflip}{LRC}{\i}{201}
%\DeclareTextComposite{\turn}{LRC}{\i}{193}

\DeclareTextComposite{\hflip}{LRC}{j}{162}
\DeclareTextComposite{\vflip}{LRC}{j}{162}
%\DeclareTextComposite{\turn}{LRC}{j}{106}

\DeclareTextComposite{\hflip}{LRC}{\j}{178}
\DeclareTextComposite{\vflip}{LRC}{\j}{178}
%\DeclareTextComposite{\turn}{LRC}{\j}{170}

\DeclareTextComposite{\hflip}{LRC}{J}{130}
\DeclareTextComposite{\vflip}{LRC}{J}{130}
%\DeclareTextComposite{\turn}{LRC}{J}{74}

\DeclareTextComposite{\hflip}{LRC}{A}{129}
\DeclareTextComposite{\vflip}{LRC}{A}{129}
\DeclareTextComposite{\turn}{LRC}{A}{65}

%\DeclareTextComposite{\hflip}{LRC}{\A}{161}
%\DeclareTextComposite{\vflip}{LRC}{\A}{161}
%\DeclareTextComposite{\turn}{LRC}{\A}{161}

\DeclareTextComposite{\hflip}{LRC}{I}{207}
\DeclareTextComposite{\vflip}{LRC}{I}{207}
%\DeclareTextComposite{\turn}{LRC}{I}{239}

\DeclareTextComposite{\hflip}{LRC}{p}{176}
%\DeclareTextComposite{\vflip}{LRC}{p}{112}
\DeclareTextComposite{\turn}{LRC}{p}{176}

%\DeclareTextComposite{\hflip}{LRC}{\p}{160}
\DeclareTextComposite{\vflip}{LRC}{\p}{192}
\DeclareTextComposite{\turn}{LRC}{\p}{192}

%\DeclareTextComposite{\hflip}{LRC}{P}{80}
%\DeclareTextComposite{\vflip}{LRC}{P}{80}
%\DeclareTextComposite{\turn}{LRC}{P}{80}

%\DeclareTextComposite{\hflip}{LRC}{R}{82}
\DeclareTextComposite{\vflip}{LRC}{R}{154}
\DeclareTextComposite{\turn}{LRC}{R}{154}

%\DeclareTextComposite{\hflip}{LRC}{\R}{154}
\DeclareTextComposite{\vflip}{LRC}{\R}{82}
\DeclareTextComposite{\turn}{LRC}{\R}{82}

%\DeclareTextComposite{\hflip}{LRC}{\RR}{122}
%\DeclareTextComposite{\vflip}{LRC}{\RR}{122}
%\DeclareTextComposite{\turn}{LRC}{\RR}{122}

\DeclareTextComposite{\hflip}{LRC}{s}{179}
%\DeclareTextComposite{\vflip}{LRC}{s}{115}
\DeclareTextComposite{\turn}{LRC}{s}{179}

\DeclareTextComposite{\hflip}{LRC}{S}{147}
%\DeclareTextComposite{\vflip}{LRC}{S}{83}
\DeclareTextComposite{\turn}{LRC}{S}{147}

\DeclareTextComposite{\hflip}{LRC}{\s}{203}
\DeclareTextComposite{\vflip}{LRC}{\s}{203}
%\DeclareTextComposite{\turn}{LRC}{\s}{195}

\DeclareTextComposite{\hflip}{LRC}{\S}{204}
\DeclareTextComposite{\vflip}{LRC}{\S}{204}
%\DeclareTextComposite{\turn}{LRC}{\S}{196}

\DeclareTextComposite{\hflip}{LRC}{\sthree}{219}
\DeclareTextComposite{\vflip}{LRC}{\sthree}{219}
%\DeclareTextComposite{\turn}{LRC}{\sthree}{211}

\DeclareTextComposite{\hflip}{LRC}{\sfour}{235}
%\DeclareTextComposite{\vflip}{LRC}{\sfour}{227}
\DeclareTextComposite{\turn}{LRC}{\sfour}{235}

\DeclareTextComposite{\hflip}{LRC}{\sfive}{251}
\DeclareTextComposite{\vflip}{LRC}{\sfive}{251}
%\DeclareTextComposite{\turn}{LRC}{\sfive}{243}

\DeclareTextComposite{\hflip}{LRC}{\ssix}{220}
%\DeclareTextComposite{\vflip}{LRC}{\ssix}{212}
\DeclareTextComposite{\turn}{LRC}{\ssix}{220}

\DeclareTextComposite{\hflip}{LRC}{\sseven}{236}
\DeclareTextComposite{\vflip}{LRC}{\sseven}{236}
%\DeclareTextComposite{\turn}{LRC}{\sseven}{228}

\DeclareTextComposite{\hflip}{LRC}{\seight}{252}
%\DeclareTextComposite{\vflip}{LRC}{\seight}{244}
\DeclareTextComposite{\turn}{LRC}{\seight}{252}

%\DeclareTextComposite{\hflip}{LRC}{t}{116}
\DeclareTextComposite{\vflip}{LRC}{t}{180}
\DeclareTextComposite{\turn}{LRC}{t}{180}

%\DeclareTextComposite{\hflip}{LRC}{T}{84}
\DeclareTextComposite{\vflip}{LRC}{T}{188}
\DeclareTextComposite{\turn}{LRC}{T}{188}

\DeclareTextComposite{\hflip}{LRC}{b}{226}
%\DeclareTextComposite{\vflip}{LRC}{b}{98}
\DeclareTextComposite{\turn}{LRC}{b}{226}

\DeclareTextComposite{\hflip}{LRC}{B}{194}
%\DeclareTextComposite{\vflip}{LRC}{B}{66}
\DeclareTextComposite{\turn}{LRC}{B}{194}

%\DeclareTextComposite{\hflip}{LRC}{e}{101}
\DeclareTextComposite{\vflip}{LRC}{e}{165}
\DeclareTextComposite{\turn}{LRC}{e}{165}

%\DeclareTextComposite{\hflip}{LRC}{E}{69}
\DeclareTextComposite{\vflip}{LRC}{E}{133}
\DeclareTextComposite{\turn}{LRC}{E}{133}

%\DeclareTextComposite{\hflip}{LRC}{m}{109}
\DeclareTextComposite{\vflip}{LRC}{m}{149}
\DeclareTextComposite{\turn}{LRC}{m}{149}

\DeclareTextComposite{\hflip}{LRC}{l}{148}
\DeclareTextComposite{\vflip}{LRC}{l}{140}
\DeclareTextComposite{\turn}{LRC}{l}{156}

%\DeclareTextComposite{\hflip}{LRC}{\ng}{173}
%\DeclareTextComposite{\vflip}{LRC}{\ng}{173}
%\DeclareTextComposite{\turn}{LRC}{\ng}{173}

%\DeclareTextComposite{\hflip}{LRC}{\NG}{141}
%\DeclareTextComposite{\vflip}{LRC}{\NG}{141}
%\DeclareTextComposite{\turn}{LRC}{\NG}{141}

%\DeclareTextComposite{\hflip}{LRC}{\ing}{181}
\DeclareTextComposite{\vflip}{LRC}{\ing}{245}
\DeclareTextComposite{\turn}{LRC}{\ing}{245}

%\DeclareTextComposite{\hflip}{LRC}{\Ing}{189}
\DeclareTextComposite{\vflip}{LRC}{\Ing}{253}
\DeclareTextComposite{\turn}{LRC}{\Ing}{253}

%\DeclareTextComposite{\hflip}{LRC}{\ING}{157}
%\DeclareTextComposite{\vflip}{LRC}{\ING}{157}
%\DeclareTextComposite{\turn}{LRC}{\ING}{157}

%\DeclareTextComposite{\hflip}{LRC}{d}{100}
%\DeclareTextComposite{\vflip}{LRC}{d}{100}
%\DeclareTextComposite{\turn}{LRC}{d}{100}

%\DeclareTextComposite{\hflip}{LRC}{\d}{68}
%\DeclareTextComposite{\vflip}{LRC}{\d}{68}
%\DeclareTextComposite{\turn}{LRC}{\d}{68}

%\DeclareTextComposite{\hflip}{LRC}{D}{164}
%\DeclareTextComposite{\vflip}{LRC}{D}{164}
%\DeclareTextComposite{\turn}{LRC}{D}{164}

%\DeclareTextComposite{\hflip}{LRC}{o}{111}
\DeclareTextComposite{\vflip}{LRC}{o}{255}
\DeclareTextComposite{\turn}{LRC}{o}{255}

\DeclareRuneSeparators{LRC}

%    \end{macrocode}
%
%</arc>
%
%<*ara>
%
% \subsubsection{The Anglo-Frisian Runes}
%    \begin{macrocode}
% THE ANGLO-FRISIAN RUNES

\DeclareFontEncoding{LRA}{}{}
\DeclareFontSubstitution{LRA}{frua}{m}{n}

\DeclareFontFamily{LRA}{frua}{}
\DeclareFontShapeWithSizes{LRA}{frua}{m}{n}{fruamn}
\DeclareFontShapeWithSizes{LRA}{frua}{m}{m}{fruamm}
\DeclareFontShapeWithSizes{LRA}{frua}{m}{s}{fruams}
\DeclareFontShapeWithSizes{LRA}{frua}{m}{t}{fruamt}
\DeclareFontShapeWithSizes{LRA}{frua}{m}{r}{fruamr}
\DeclareFontShapeWithSizes{LRA}{frua}{m}{q}{fruamq}

\DeclareFontShapeWithSizes{LRA}{frua}{l}{n}{frualn}
\DeclareFontShapeWithSizes{LRA}{frua}{l}{m}{frualm}
\DeclareFontShapeWithSizes{LRA}{frua}{l}{s}{fruals}
\DeclareFontShapeWithSizes{LRA}{frua}{l}{t}{frualt}
\DeclareFontShapeWithSizes{LRA}{frua}{l}{r}{frualr}
\DeclareFontShapeWithSizes{LRA}{frua}{l}{q}{frualq}

\DeclareFontShapeWithSizes{LRA}{frua}{bx}{n}{fruabn}
\DeclareFontShapeWithSizes{LRA}{frua}{bx}{m}{fruabm}
\DeclareFontShapeWithSizes{LRA}{frua}{bx}{s}{fruabs}
\DeclareFontShapeWithSizes{LRA}{frua}{bx}{t}{fruabt}
\DeclareFontShapeWithSizes{LRA}{frua}{bx}{r}{fruabr}
\DeclareFontShapeWithSizes{LRA}{frua}{bx}{q}{fruabq}

\DeclareFontShapeWithSizes{LRA}{frua}{n}{n}{fruann}
\DeclareFontShapeWithSizes{LRA}{frua}{n}{m}{fruanm}
\DeclareFontShapeWithSizes{LRA}{frua}{n}{s}{fruans}
\DeclareFontShapeWithSizes{LRA}{frua}{n}{t}{fruant}
\DeclareFontShapeWithSizes{LRA}{frua}{n}{r}{fruanr}
\DeclareFontShapeWithSizes{LRA}{frua}{n}{q}{fruanq}

\DeclareFontShapeWithSizes{LRA}{frua}{k}{n}{fruakn}
\DeclareFontShapeWithSizes{LRA}{frua}{k}{m}{fruakm}
\DeclareFontShapeWithSizes{LRA}{frua}{k}{s}{fruaks}
\DeclareFontShapeWithSizes{LRA}{frua}{k}{t}{fruakt}
\DeclareFontShapeWithSizes{LRA}{frua}{k}{r}{fruakr}
\DeclareFontShapeWithSizes{LRA}{frua}{k}{q}{fruakq}

\DeclareFontShapeWithSizes{LRA}{frua}{c}{n}{fruacn}
\DeclareFontShapeWithSizes{LRA}{frua}{c}{m}{fruacm}
\DeclareFontShapeWithSizes{LRA}{frua}{c}{s}{fruacs}
\DeclareFontShapeWithSizes{LRA}{frua}{c}{t}{fruact}
\DeclareFontShapeWithSizes{LRA}{frua}{c}{r}{fruacr}
\DeclareFontShapeWithSizes{LRA}{frua}{c}{q}{fruacq}

% USER COMMANDS FOR SELECTING FONT FAMILY

\newcommand{\aradefault}{frua}
\newcommand{\arafamily}{\usefont{LRA}{\aradefault}{m}{n}}
\DeclareTextFontCommand{\textara}{\arafamily}

% USER COMMANDS FOR ACCESSING SPECIAL SYMBOLS IN THE DIFFERENT
% FONT FAMILIES AND DIFFERENT ENCODINGS

% The Anglo-Saxon Runes

\DeclareTextSymbol{\th}{LRA}{254}
\DeclareTextSymbol{\c}{LRA}{131}
\DeclareTextSymbol{\h}{LRA}{216}
\DeclareTextSymbol{\j}{LRA}{178}
\DeclareTextSymbol{\sthree}{LRA}{211}
\DeclareTextSymbol{\sfour}{LRA}{227}
\DeclareTextSymbol{\sfive}{LRA}{243}
\DeclareTextSymbol{\ssix}{LRA}{212}
\DeclareTextSymbol{\sseven}{LRA}{228}
\DeclareTextSymbol{\seight}{LRA}{244}
\DeclareTextSymbol{\ng}{LRA}{173}
\DeclareTextSymbol{\oe}{LRA}{247}
\DeclareTextSymbol{\OE}{LRA}{215}
\DeclareTextSymbol{\d}{LRA}{164}
\DeclareTextSymbol{\ae}{LRA}{230}
\DeclareTextSymbol{\y}{LRA}{193}
\DeclareTextSymbol{\ea}{LRA}{196}
\DeclareTextSymbol{\g}{LRA}{135}
\DeclareTextSymbol{\G}{LRA}{167}
\DeclareTextSymbol{\k}{LRA}{195}
\DeclareTextSymbol{\stan}{LRA}{208}
\DeclareTextSymbol{\STAN}{LRA}{200}
\DeclareTextSymbol{\rex}{LRA}{154}


% Commands for mirroring Anglo-Saxon runes
% Variants that are commented out are identical to the non-mirrored form
\DeclareTextCommand{\hflip}{LRA}{}
\DeclareTextCommand{\vflip}{LRA}{}
\DeclareTextCommand{\turn}{LRA}{}

\DeclareTextComposite{\hflip}{LRA}{f}{174}
\DeclareTextComposite{\vflip}{LRA}{f}{166}
\DeclareTextComposite{\turn}{LRA}{f}{182}

\DeclareTextComposite{\hflip}{LRA}{F}{142}
\DeclareTextComposite{\vflip}{LRA}{F}{134}
\DeclareTextComposite{\turn}{LRA}{F}{150}

\DeclareTextComposite{\hflip}{LRA}{u}{229}
\DeclareTextComposite{\vflip}{LRA}{u}{221}
\DeclareTextComposite{\turn}{LRA}{u}{237}

\DeclareTextComposite{\hflip}{LRA}{U}{205}
\DeclareTextComposite{\vflip}{LRA}{U}{197}
\DeclareTextComposite{\turn}{LRA}{U}{213}

\DeclareTextComposite{\hflip}{LRA}{\th}{238}
%\DeclareTextComposite{\vflip}{LRA}{\th}{254}
\DeclareTextComposite{\turn}{LRA}{\th}{238}

\DeclareTextComposite{\hflip}{LRA}{o}{151}
\DeclareTextComposite{\vflip}{LRA}{o}{143}
\DeclareTextComposite{\turn}{LRA}{o}{159}

\DeclareTextComposite{\hflip}{LRA}{r}{242}
\DeclareTextComposite{\vflip}{LRA}{r}{234}
\DeclareTextComposite{\turn}{LRA}{r}{250}

\DeclareTextComposite{\hflip}{LRA}{c}{155}
\DeclareTextComposite{\vflip}{LRA}{c}{163}
\DeclareTextComposite{\turn}{LRA}{c}{171}

%\DeclareTextComposite{\hflip}{LRA}{\c}{131}
\DeclareTextComposite{\vflip}{LRA}{\c}{139}
\DeclareTextComposite{\turn}{LRA}{\c}{139}

%\DeclareTextComposite{\hflip}{LRA}{g}{103}
%\DeclareTextComposite{\vflip}{LRA}{g}{103}
%\DeclareTextComposite{\turn}{LRA}{g}{103}

\DeclareTextComposite{\hflip}{LRA}{w}{175}
\DeclareTextComposite{\vflip}{LRA}{w}{191}
\DeclareTextComposite{\turn}{LRA}{w}{183}

\DeclareTextComposite{\hflip}{LRA}{h}{168}
\DeclareTextComposite{\vflip}{LRA}{h}{168}
%\DeclareTextComposite{\turn}{LRA}{h}{104}

\DeclareTextComposite{\hflip}{LRA}{H}{136}
\DeclareTextComposite{\vflip}{LRA}{H}{136}
%\DeclareTextComposite{\turn}{LRA}{H}{72}

\DeclareTextComposite{\hflip}{LRA}{\h}{224}
\DeclareTextComposite{\vflip}{LRA}{\h}{224}
%\DeclareTextComposite{\turn}{LRA}{\h}{216}

\DeclareTextComposite{\hflip}{LRA}{n}{158}
\DeclareTextComposite{\vflip}{LRA}{n}{158}
%\DeclareTextComposite{\turn}{LRA}{n}{110}

%\DeclareTextComposite{\hflip}{LRA}{i}{105}
%\DeclareTextComposite{\vflip}{LRA}{i}{105}
%\DeclareTextComposite{\turn}{LRA}{i}{105}

%\DeclareTextComposite{\hflip}{LRA}{j}{106}
%\DeclareTextComposite{\vflip}{LRA}{j}{106}
%\DeclareTextComposite{\turn}{LRA}{j}{106}

%\DeclareTextComposite{\hflip}{LRA}{\j}{178}
%\DeclareTextComposite{\vflip}{LRA}{\j}{178}
%\DeclareTextComposite{\turn}{LRA}{\j}{178}

%\DeclareTextComposite{\hflip}{LRA}{J}{74}
%\DeclareTextComposite{\vflip}{LRA}{J}{74}
%\DeclareTextComposite{\turn}{LRA}{J}{74}

\DeclareTextComposite{\hflip}{LRA}{I}{207}
\DeclareTextComposite{\vflip}{LRA}{I}{207}
%\DeclareTextComposite{\turn}{LRA}{I}{239}

\DeclareTextComposite{\hflip}{LRA}{p}{176}
%\DeclareTextComposite{\vflip}{LRA}{p}{112}
\DeclareTextComposite{\turn}{LRA}{p}{176}

\DeclareTextComposite{\hflip}{LRA}{P}{144}
%\DeclareTextComposite{\vflip}{LRA}{P}{80}
\DeclareTextComposite{\turn}{LRA}{P}{144}

%\DeclareTextComposite{\hflip}{LRA}{x}{120}
\DeclareTextComposite{\vflip}{LRA}{x}{107}
\DeclareTextComposite{\turn}{LRA}{x}{107}

\DeclareTextComposite{\hflip}{LRA}{s}{179}
\DeclareTextComposite{\vflip}{LRA}{s}{179}
%\DeclareTextComposite{\turn}{LRA}{s}{115}

\DeclareTextComposite{\hflip}{LRA}{S}{171}
\DeclareTextComposite{\vflip}{LRA}{S}{99}
\DeclareTextComposite{\turn}{LRA}{S}{155}

\DeclareTextComposite{\hflip}{LRA}{\sthree}{219}
\DeclareTextComposite{\vflip}{LRA}{\sthree}{219}
%\DeclareTextComposite{\turn}{LRA}{\sthree}{211}

\DeclareTextComposite{\hflip}{LRA}{\sfour}{235}
%\DeclareTextComposite{\vflip}{LRA}{\sfour}{227}
\DeclareTextComposite{\turn}{LRA}{\sfour}{235}

\DeclareTextComposite{\hflip}{LRA}{\sfive}{251}
\DeclareTextComposite{\vflip}{LRA}{\sfive}{251}
%\DeclareTextComposite{\turn}{LRA}{\sfive}{243}

\DeclareTextComposite{\hflip}{LRA}{\ssix}{220}
%\DeclareTextComposite{\vflip}{LRA}{\ssix}{212}
\DeclareTextComposite{\turn}{LRA}{\ssix}{220}

\DeclareTextComposite{\hflip}{LRA}{\sseven}{236}
\DeclareTextComposite{\vflip}{LRA}{\sseven}{236}
%\DeclareTextComposite{\turn}{LRA}{\sseven}{228}

\DeclareTextComposite{\hflip}{LRA}{\seight}{252}
%\DeclareTextComposite{\vflip}{LRA}{\seight}{244}
\DeclareTextComposite{\turn}{LRA}{\seight}{252}

%\DeclareTextComposite{\hflip}{LRA}{t}{116}
\DeclareTextComposite{\vflip}{LRA}{t}{180}
\DeclareTextComposite{\turn}{LRA}{t}{180}

\DeclareTextComposite{\hflip}{LRA}{b}{226}
%\DeclareTextComposite{\vflip}{LRA}{b}{98}
\DeclareTextComposite{\turn}{LRA}{b}{226}

\DeclareTextComposite{\hflip}{LRA}{B}{194}
%\DeclareTextComposite{\vflip}{LRA}{B}{66}
\DeclareTextComposite{\turn}{LRA}{B}{194}

%\DeclareTextComposite{\hflip}{LRA}{e}{101}
\DeclareTextComposite{\vflip}{LRA}{e}{165}
\DeclareTextComposite{\turn}{LRA}{e}{165}

%\DeclareTextComposite{\hflip}{LRA}{m}{109}
\DeclareTextComposite{\vflip}{LRA}{m}{149}
\DeclareTextComposite{\turn}{LRA}{m}{149}

\DeclareTextComposite{\hflip}{LRA}{l}{148}
\DeclareTextComposite{\vflip}{LRA}{l}{140}
\DeclareTextComposite{\turn}{LRA}{l}{156}

%\DeclareTextComposite{\hflip}{LRA}{\ng}{173}
%\DeclareTextComposite{\vflip}{LRA}{\ng}{173}
%\DeclareTextComposite{\turn}{LRA}{\ng}{173}

%\DeclareTextComposite{\hflip}{LRA}{d}{100}
%\DeclareTextComposite{\vflip}{LRA}{d}{100}
%\DeclareTextComposite{\turn}{LRA}{d}{100}

%\DeclareTextComposite{\hflip}{LRA}{D}{68}
%\DeclareTextComposite{\vflip}{LRA}{D}{68}
%\DeclareTextComposite{\turn}{LRA}{D}{68}

%\DeclareTextComposite{\hflip}{LRA}{\d}{164}
%\DeclareTextComposite{\vflip}{LRA}{\d}{164}
%\DeclareTextComposite{\turn}{LRA}{\d}{164}

%\DeclareTextComposite{\hflip}{LRA}{\oe}{246}
\DeclareTextComposite{\vflip}{LRA}{\oe}{255}
\DeclareTextComposite{\turn}{LRA}{\oe}{255}

%\DeclareTextComposite{\hflip}{LRA}{\OE}{215}
\DeclareTextComposite{\vflip}{LRA}{\OE}{223}
\DeclareTextComposite{\turn}{LRA}{\OE}{223}

\DeclareTextComposite{\hflip}{LRA}{a}{177}
\DeclareTextComposite{\vflip}{LRA}{a}{169}
\DeclareTextComposite{\turn}{LRA}{a}{185}

\DeclareTextComposite{\hflip}{LRA}{\ae}{198}
\DeclareTextComposite{\vflip}{LRA}{\ae}{206}
\DeclareTextComposite{\turn}{LRA}{\ae}{214}

\DeclareTextComposite{\hflip}{LRA}{y}{232}
\DeclareTextComposite{\vflip}{LRA}{y}{240}
\DeclareTextComposite{\turn}{LRA}{y}{248}

\DeclareTextComposite{\hflip}{LRA}{\y}{201}
\DeclareTextComposite{\vflip}{LRA}{\y}{209}
\DeclareTextComposite{\turn}{LRA}{\y}{217}

\DeclareTextComposite{\hflip}{LRA}{Y}{233}
\DeclareTextComposite{\vflip}{LRA}{Y}{241}
\DeclareTextComposite{\turn}{LRA}{Y}{249}

%\DeclareTextComposite{\hflip}{LRA}{\ea}{196}
\DeclareTextComposite{\vflip}{LRA}{\ea}{204}
\DeclareTextComposite{\turn}{LRA}{\ea}{204}

%\DeclareTextComposite{\hflip}{LRA}{\g}{135}
%\DeclareTextComposite{\vflip}{LRA}{\g}{135}
%\DeclareTextComposite{\turn}{LRA}{\g}{135}

%\DeclareTextComposite{\hflip}{LRA}{\G}{167}
%\DeclareTextComposite{\vflip}{LRA}{\G}{167}
%\DeclareTextComposite{\turn}{LRA}{\G}{167}

%\DeclareTextComposite{\hflip}{LRA}{k}{107}
\DeclareTextComposite{\vflip}{LRA}{k}{120}
\DeclareTextComposite{\turn}{LRA}{k}{120}

%\DeclareTextComposite{\hflip}{LRA}{\k}{195}
%\DeclareTextComposite{\vflip}{LRA}{\k}{195}
%\DeclareTextComposite{\turn}{LRA}{\k}{195}

%\DeclareTextComposite{\hflip}{LRA}{\rex}{154}
\DeclareTextComposite{\vflip}{LRA}{\rex}{186}
\DeclareTextComposite{\turn}{LRA}{\rex}{186}

\DeclareTextComposite{\hflip}{LRA}{q}{81}
\DeclareTextComposite{\vflip}{LRA}{q}{81}
%\DeclareTextComposite{\turn}{LRA}{q}{113}

%\DeclareTextComposite{\hflip}{LRA}{\stan}{208}
%\DeclareTextComposite{\vflip}{LRA}{\stan}{208}
%\DeclareTextComposite{\turn}{LRA}{\stan}{208}


\DeclareRuneSeparators{LRA}

%    \end{macrocode}
%
%</ara>
%
%<*arn>
%
% \subsubsection{The Normal Runes}
%    \begin{macrocode}
% THE NORMAL RUNES
\DeclareFontEncoding{LRN}{}{}
\DeclareFontSubstitution{LRN}{frun}{m}{n}

\DeclareFontFamily{LRN}{frun}{}
\DeclareFontShapeWithSizes{LRN}{frun}{m}{n}{frunmn}
\DeclareFontShapeWithSizes{LRN}{frun}{m}{m}{frunmm}
\DeclareFontShapeWithSizes{LRN}{frun}{m}{s}{frunms}
\DeclareFontShapeWithSizes{LRN}{frun}{m}{t}{frunmt}
\DeclareFontShapeWithSizes{LRN}{frun}{m}{r}{frunmr}
\DeclareFontShapeWithSizes{LRN}{frun}{m}{q}{frunmq}

\DeclareFontShapeWithSizes{LRN}{frun}{l}{n}{frunln}
\DeclareFontShapeWithSizes{LRN}{frun}{l}{m}{frunlm}
\DeclareFontShapeWithSizes{LRN}{frun}{l}{s}{frunls}
\DeclareFontShapeWithSizes{LRN}{frun}{l}{t}{frunlt}
\DeclareFontShapeWithSizes{LRN}{frun}{l}{r}{frunlr}
\DeclareFontShapeWithSizes{LRN}{frun}{l}{q}{frunlq}

\DeclareFontShapeWithSizes{LRN}{frun}{bx}{n}{frunbn}
\DeclareFontShapeWithSizes{LRN}{frun}{bx}{m}{frunbm}
\DeclareFontShapeWithSizes{LRN}{frun}{bx}{s}{frunbs}
\DeclareFontShapeWithSizes{LRN}{frun}{bx}{t}{frunbt}
\DeclareFontShapeWithSizes{LRN}{frun}{bx}{r}{frunbr}
\DeclareFontShapeWithSizes{LRN}{frun}{bx}{q}{frunbq}

\DeclareFontShapeWithSizes{LRN}{frun}{n}{n}{frunnn}
\DeclareFontShapeWithSizes{LRN}{frun}{n}{m}{frunnm}
\DeclareFontShapeWithSizes{LRN}{frun}{n}{s}{frunns}
\DeclareFontShapeWithSizes{LRN}{frun}{n}{t}{frunnt}
\DeclareFontShapeWithSizes{LRN}{frun}{n}{r}{frunnr}
\DeclareFontShapeWithSizes{LRN}{frun}{n}{q}{frunnq}

\DeclareFontShapeWithSizes{LRN}{frun}{k}{n}{frunkn}
\DeclareFontShapeWithSizes{LRN}{frun}{k}{m}{frunkm}
\DeclareFontShapeWithSizes{LRN}{frun}{k}{s}{frunks}
\DeclareFontShapeWithSizes{LRN}{frun}{k}{t}{frunkt}
\DeclareFontShapeWithSizes{LRN}{frun}{k}{r}{frunkr}
\DeclareFontShapeWithSizes{LRN}{frun}{k}{q}{frunkq}

\DeclareFontShapeWithSizes{LRN}{frun}{c}{n}{fruncn}
\DeclareFontShapeWithSizes{LRN}{frun}{c}{m}{fruncm}
\DeclareFontShapeWithSizes{LRN}{frun}{c}{s}{fruncs}
\DeclareFontShapeWithSizes{LRN}{frun}{c}{t}{frunct}
\DeclareFontShapeWithSizes{LRN}{frun}{c}{r}{fruncr}
\DeclareFontShapeWithSizes{LRN}{frun}{c}{q}{fruncq}

% USER COMMANDS FOR SELECTING FONT FAMILY

\newcommand{\arndefault}{frun}
\newcommand{\arnfamily}{\usefont{LRN}{\arndefault}{m}{n}}
\DeclareTextFontCommand{\textarn}{\arnfamily}

% USER COMMANDS FOR ACCESSING SPECIAL SYMBOLS IN THE DIFFERENT
% FONT FAMILIES AND DIFFERENT ENCODINGS

% The normal runes
\DeclareTextSymbol{\th}{LRN}{254}
\DeclareTextSymbol{\TH}{LRN}{222}
\DeclareTextSymbol{\A}{LRN}{193}
\DeclareTextSymbol{\m}{LRN}{165}
\DeclareTextSymbol{\M}{LRN}{133}

\DeclareTextComposite{\.}{LRN}{u}{121}   % y
\DeclareTextComposite{\.}{LRN}{k}{103}   % g
\DeclareTextComposite{\.}{LRN}{i}{101}   % e
\DeclareTextComposite{\.}{LRN}{t}{100}   % e
\DeclareTextComposite{\"}{LRN}{b}{112}   % p
\DeclareTextComposite{\"}{LRN}{m}{165}   %
\DeclareTextComposite{\"}{LRN}{M}{133}   %

% Commands for mirroring and rotating runes

\DeclareTextCommand{\hflip}{LRN}{}
\DeclareTextCommand{\vflip}{LRN}{}
\DeclareTextCommand{\turn}{LRN}{}

\DeclareTextComposite{\hflip}{LRN}{f}{142}
\DeclareTextComposite{\vflip}{LRN}{f}{134}
\DeclareTextComposite{\turn}{LRN}{f}{150}

\DeclareTextComposite{\hflip}{LRN}{F}{174}
\DeclareTextComposite{\vflip}{LRN}{F}{166}
\DeclareTextComposite{\turn}{LRN}{F}{182}

\DeclareTextComposite{\hflip}{LRN}{u}{229}
\DeclareTextComposite{\vflip}{LRN}{u}{221}
\DeclareTextComposite{\turn}{LRN}{u}{237}

\DeclareTextComposite{\hflip}{LRN}{y}{241}
\DeclareTextComposite{\vflip}{LRN}{y}{233}
\DeclareTextComposite{\turn}{LRN}{y}{249}

\DeclareTextComposite{\hflip}{LRN}{\th}{246}
%\DeclareTextComposite{\vflip}{LRN}{\th}{254}
\DeclareTextComposite{\turn}{LRN}{\th}{246}

\DeclareTextComposite{\hflip}{LRN}{\TH}{214}
%\DeclareTextComposite{\vflip}{LRN}{\TH}{222}
\DeclareTextComposite{\turn}{LRN}{\TH}{214}

\DeclareTextComposite{\hflip}{LRN}{\dh}{232}
%\DeclareTextComposite{\vflip}{LRN}{\dh}{240}
\DeclareTextComposite{\turn}{LRN}{\dh}{232}

\DeclareTextComposite{\hflip}{LRN}{\TH}{200}
%\DeclareTextComposite{\vflip}{LRN}{\TH}{208}
\DeclareTextComposite{\turn}{LRN}{\TH}{200}

\DeclareTextComposite{\hflip}{LRN}{A}{177}
\DeclareTextComposite{\vflip}{LRN}{A}{169}
\DeclareTextComposite{\turn}{LRN}{A}{185}

\DeclareTextComposite{\hflip}{LRN}{\A}{201}
\DeclareTextComposite{\vflip}{LRN}{\A}{201}
%\DeclareTextComposite{\turn}{LRN}{\A}{193}

\DeclareTextComposite{\hflip}{LRN}{r}{242}
\DeclareTextComposite{\vflip}{LRN}{r}{234}
\DeclareTextComposite{\turn}{LRN}{r}{250}

\DeclareTextComposite{\hflip}{LRN}{k}{243}
\DeclareTextComposite{\vflip}{LRN}{k}{235}
\DeclareTextComposite{\turn}{LRN}{k}{251}

\DeclareTextComposite{\hflip}{LRN}{g}{143}
\DeclareTextComposite{\vflip}{LRN}{g}{135}
\DeclareTextComposite{\turn}{LRN}{g}{151}

%\DeclareTextComposite{\hflip}{LRN}{h}{104}
%\DeclareTextComposite{\vflip}{LRN}{h}{104}
%\DeclareTextComposite{\turn}{LRN}{h}{104}

\DeclareTextComposite{\hflip}{LRN}{n}{97}
\DeclareTextComposite{\vflip}{LRN}{n}{97}
%\DeclareTextComposite{\turn}{LRN}{n}{110}

%\DeclareTextComposite{\hflip}{LRN}{i}{105}
%\DeclareTextComposite{\vflip}{LRN}{i}{105}
%\DeclareTextComposite{\turn}{LRN}{i}{105}

\DeclareTextComposite{\hflip}{LRN}{a}{110}
\DeclareTextComposite{\vflip}{LRN}{a}{110}
%\DeclareTextComposite{\turn}{LRN}{a}{97}

\DeclareTextComposite{\hflip}{LRN}{s}{179}
\DeclareTextComposite{\vflip}{LRN}{s}{179}
%\DeclareTextComposite{\turn}{LRN}{s}{115}

\DeclareTextComposite{\hflip}{LRN}{S}{147}
\DeclareTextComposite{\vflip}{LRN}{S}{139}
\DeclareTextComposite{\turn}{LRN}{S}{155}

%\DeclareTextComposite{\hflip}{LRN}{t}{116}
\DeclareTextComposite{\vflip}{LRN}{t}{180}
\DeclareTextComposite{\turn}{LRN}{t}{180}

%\DeclareTextComposite{\hflip}{LRN}{d}{100}
\DeclareTextComposite{\vflip}{LRN}{d}{188}
\DeclareTextComposite{\turn}{LRN}{d}{188}

\DeclareTextComposite{\hflip}{LRN}{b}{226}
%\DeclareTextComposite{\vflip}{LRN}{b}{98}
\DeclareTextComposite{\turn}{LRN}{b}{226}

\DeclareTextComposite{\hflip}{LRN}{B}{194}
%\DeclareTextComposite{\vflip}{LRN}{B}{66}
\DeclareTextComposite{\turn}{LRN}{B}{194}

\DeclareTextComposite{\hflip}{LRN}{p}{176}
%\DeclareTextComposite{\vflip}{LRN}{p}{112}
\DeclareTextComposite{\turn}{LRN}{p}{176}

%\DeclareTextComposite{\hflip}{LRN}{m}{109}
\DeclareTextComposite{\vflip}{LRN}{m}{82}
\DeclareTextComposite{\turn}{LRN}{m}{82}

%\DeclareTextComposite{\hflip}{LRN}{M}{77}
\DeclareTextComposite{\vflip}{LRN}{M}{149}
\DeclareTextComposite{\turn}{LRN}{M}{149}

%\DeclareTextComposite{\hflip}{LRN}{\m}{165}
\DeclareTextComposite{\vflip}{LRN}{\m}{157}
\DeclareTextComposite{\turn}{LRN}{\m}{157}

%\DeclareTextComposite{\hflip}{LRN}{\M}{133}
\DeclareTextComposite{\vflip}{LRN}{\M}{141}
\DeclareTextComposite{\turn}{LRN}{\M}{141}

\DeclareTextComposite{\hflip}{LRN}{p}{176}
%\DeclareTextComposite{\vflip}{LRN}{p}{112}
\DeclareTextComposite{\turn}{LRN}{p}{176}

\DeclareTextComposite{\hflip}{LRN}{l}{148}
\DeclareTextComposite{\vflip}{LRN}{l}{140}
\DeclareTextComposite{\turn}{LRN}{l}{156}

%\DeclareTextComposite{\hflip}{LRN}{R}{82}
\DeclareTextComposite{\vflip}{LRN}{R}{109}
\DeclareTextComposite{\turn}{LRN}{R}{109}

\DeclareRuneSeparators{LRN}

%    \end{macrocode}
%
%</arn>
%
%<*art>
%
% \subsubsection{The Short-Twig Runes}
%    \begin{macrocode}
% THE SHORT-TWIG RUNES
\DeclareFontEncoding{LRT}{}{}
\DeclareFontSubstitution{LRT}{frut}{m}{n}

\DeclareFontFamily{LRT}{frut}{}
\DeclareFontShapeWithSizes{LRT}{frut}{m}{n}{frutmn}
\DeclareFontShapeWithSizes{LRT}{frut}{m}{m}{frutmm}
\DeclareFontShapeWithSizes{LRT}{frut}{m}{s}{frutms}
\DeclareFontShapeWithSizes{LRT}{frut}{m}{t}{frutmt}
\DeclareFontShapeWithSizes{LRT}{frut}{m}{r}{frutmr}
\DeclareFontShapeWithSizes{LRT}{frut}{m}{q}{frutmq}

\DeclareFontShapeWithSizes{LRT}{frut}{l}{n}{frutln}
\DeclareFontShapeWithSizes{LRT}{frut}{l}{m}{frutlm}
\DeclareFontShapeWithSizes{LRT}{frut}{l}{s}{frutls}
\DeclareFontShapeWithSizes{LRT}{frut}{l}{t}{frutlt}
\DeclareFontShapeWithSizes{LRT}{frut}{l}{r}{frutlr}
\DeclareFontShapeWithSizes{LRT}{frut}{l}{q}{frutlq}

\DeclareFontShapeWithSizes{LRT}{frut}{bx}{n}{frutbn}
\DeclareFontShapeWithSizes{LRT}{frut}{bx}{m}{frutbm}
\DeclareFontShapeWithSizes{LRT}{frut}{bx}{s}{frutbs}
\DeclareFontShapeWithSizes{LRT}{frut}{bx}{t}{frutbt}
\DeclareFontShapeWithSizes{LRT}{frut}{bx}{r}{frutbr}
\DeclareFontShapeWithSizes{LRT}{frut}{bx}{q}{frutbq}

\DeclareFontShapeWithSizes{LRT}{frut}{n}{n}{frutnn}
\DeclareFontShapeWithSizes{LRT}{frut}{n}{m}{frutnm}
\DeclareFontShapeWithSizes{LRT}{frut}{n}{s}{frutns}
\DeclareFontShapeWithSizes{LRT}{frut}{n}{t}{frutnt}
\DeclareFontShapeWithSizes{LRT}{frut}{n}{r}{frutnr}
\DeclareFontShapeWithSizes{LRT}{frut}{n}{q}{frutnq}

\DeclareFontShapeWithSizes{LRT}{frut}{k}{n}{frutkn}
\DeclareFontShapeWithSizes{LRT}{frut}{k}{m}{frutkm}
\DeclareFontShapeWithSizes{LRT}{frut}{k}{s}{frutks}
\DeclareFontShapeWithSizes{LRT}{frut}{k}{t}{frutkt}
\DeclareFontShapeWithSizes{LRT}{frut}{k}{r}{frutkr}
\DeclareFontShapeWithSizes{LRT}{frut}{k}{q}{frutkq}

\DeclareFontShapeWithSizes{LRT}{frut}{c}{n}{frutcn}
\DeclareFontShapeWithSizes{LRT}{frut}{c}{m}{frutcm}
\DeclareFontShapeWithSizes{LRT}{frut}{c}{s}{frutcs}
\DeclareFontShapeWithSizes{LRT}{frut}{c}{t}{frutct}
\DeclareFontShapeWithSizes{LRT}{frut}{c}{r}{frutcr}
\DeclareFontShapeWithSizes{LRT}{frut}{c}{q}{frutcq}

% USER COMMANDS FOR SELECTING FONT FAMILY

\newcommand{\artdefault}{frut}
\newcommand{\artfamily}{\usefont{LRT}{\artdefault}{m}{n}}
\DeclareTextFontCommand{\textart}{\artfamily}

% USER COMMANDS FOR ACCESSING SPECIAL SYMBOLS IN THE DIFFERENT
% FONT FAMILIES AND DIFFERENT ENCODINGS

% The short-twig runes
\DeclareTextSymbol{\th}{LRT}{254}
\DeclareTextSymbol{\TH}{LRT}{222}
\DeclareTextSymbol{\A}{LRT}{193}
\DeclareTextSymbol{\h}{LRT}{160}
\DeclareTextSymbol{\s}{LRT}{179}
\DeclareTextSymbol{\t}{LRT}{180}
\DeclareTextSymbol{\m}{LRT}{165}
\DeclareTextSymbol{\b}{LRT}{194}
\DeclareTextSymbol{\l}{LRT}{188}
\DeclareTextSymbol{\R}{LRT}{154}

% Commands for mirroring and rotating runes

\DeclareTextCommand{\hflip}{LRT}{}
\DeclareTextCommand{\vflip}{LRT}{}
\DeclareTextCommand{\turn}{LRT}{}

\DeclareTextComposite{\hflip}{LRT}{f}{142}
\DeclareTextComposite{\vflip}{LRT}{f}{134}
\DeclareTextComposite{\turn}{LRT}{f}{150}

\DeclareTextComposite{\hflip}{LRT}{F}{174}
\DeclareTextComposite{\vflip}{LRT}{F}{166}
\DeclareTextComposite{\turn}{LRT}{F}{182}

\DeclareTextComposite{\hflip}{LRT}{u}{229}
\DeclareTextComposite{\vflip}{LRT}{u}{221}
\DeclareTextComposite{\turn}{LRT}{u}{237}

\DeclareTextComposite{\hflip}{LRT}{U}{205}
\DeclareTextComposite{\vflip}{LRT}{U}{197}
\DeclareTextComposite{\turn}{LRT}{U}{213}

\DeclareTextComposite{\hflip}{LRT}{\th}{246}
%\DeclareTextComposite{\vflip}{LRT}{\th}{254}
\DeclareTextComposite{\turn}{LRT}{\th}{246}

\DeclareTextComposite{\hflip}{LRT}{\TH}{214}
%\DeclareTextComposite{\vflip}{LRT}{\TH}{222}
\DeclareTextComposite{\turn}{LRT}{\TH}{214}

\DeclareTextComposite{\hflip}{LRT}{A}{162}
\DeclareTextComposite{\vflip}{LRT}{A}{98}
\DeclareTextComposite{\turn}{LRT}{A}{129}

\DeclareTextComposite{\hflip}{LRT}{\A}{194}
\DeclareTextComposite{\vflip}{LRT}{\A}{194}
%\DeclareTextComposite{\turn}{LRT}{\A}{193}

\DeclareTextComposite{\hflip}{LRT}{r}{242}
\DeclareTextComposite{\vflip}{LRT}{r}{234}
\DeclareTextComposite{\turn}{LRT}{r}{250}

\DeclareTextComposite{\hflip}{LRT}{k}{243}
\DeclareTextComposite{\vflip}{LRT}{k}{235}
\DeclareTextComposite{\turn}{LRT}{k}{251}

%\DeclareTextComposite{\hflip}{LRT}{h}{104}
%\DeclareTextComposite{\vflip}{LRT}{h}{104}
%\DeclareTextComposite{\turn}{LRT}{h}{104}

%\DeclareTextComposite{\hflip}{LRT}{\h}{160}
%\DeclareTextComposite{\vflip}{LRT}{\h}{160}
%\DeclareTextComposite{\turn}{LRT}{\h}{160}

\DeclareTextComposite{\hflip}{LRT}{n}{97}
\DeclareTextComposite{\vflip}{LRT}{n}{161}
\DeclareTextComposite{\turn}{LRT}{n}{158}

%\DeclareTextComposite{\hflip}{LRT}{i}{105}
%\DeclareTextComposite{\vflip}{LRT}{i}{105}
%\DeclareTextComposite{\turn}{LRT}{i}{105}

\DeclareTextComposite{\hflip}{LRT}{a}{110}
\DeclareTextComposite{\vflip}{LRT}{a}{158}
\DeclareTextComposite{\turn}{LRT}{a}{161}

%\DeclareTextComposite{\hflip}{LRT}{s}{115}
\DeclareTextComposite{\vflip}{LRT}{s}{82}
\DeclareTextComposite{\turn}{LRT}{s}{82}

%\DeclareTextComposite{\hflip}{LRT}{\s}{179}
\DeclareTextComposite{\vflip}{LRT}{\s}{154}
\DeclareTextComposite{\turn}{LRT}{\s}{154}

\DeclareTextComposite{\hflip}{LRT}{t}{108}
\DeclareTextComposite{\vflip}{LRT}{t}{156}
\DeclareTextComposite{\turn}{LRT}{t}{140}

\DeclareTextComposite{\hflip}{LRT}{\t}{188}
\DeclareTextComposite{\vflip}{LRT}{\t}{196}
\DeclareTextComposite{\turn}{LRT}{\t}{204}

\DeclareTextComposite{\hflip}{LRT}{T}{76}
\DeclareTextComposite{\vflip}{LRT}{T}{164}
\DeclareTextComposite{\turn}{LRT}{T}{148}

\DeclareTextComposite{\hflip}{LRT}{b}{129}
\DeclareTextComposite{\vflip}{LRT}{b}{65}
\DeclareTextComposite{\turn}{LRT}{b}{162}

\DeclareTextComposite{\hflip}{LRT}{\b}{193}
\DeclareTextComposite{\vflip}{LRT}{\b}{193}
%\DeclareTextComposite{\turn}{LRT}{\b}{194}

%\DeclareTextComposite{\hflip}{LRT}{m}{109}
\DeclareTextComposite{\vflip}{LRT}{m}{141}
\DeclareTextComposite{\turn}{LRT}{m}{141}

%\DeclareTextComposite{\hflip}{LRT}{\m}{165}
\DeclareTextComposite{\vflip}{LRT}{\m}{157}
\DeclareTextComposite{\turn}{LRT}{\m}{157}

%\DeclareTextComposite{\hflip}{LRT}{M}{77}
\DeclareTextComposite{\vflip}{LRT}{M}{149}
\DeclareTextComposite{\turn}{LRT}{M}{149}

\DeclareTextComposite{\hflip}{LRT}{l}{116}
\DeclareTextComposite{\vflip}{LRT}{l}{140}
\DeclareTextComposite{\turn}{LRT}{l}{156}

\DeclareTextComposite{\hflip}{LRT}{\l}{180}
\DeclareTextComposite{\vflip}{LRT}{\l}{204}
\DeclareTextComposite{\turn}{LRT}{\l}{196}

\DeclareTextComposite{\hflip}{LRT}{L}{84}
\DeclareTextComposite{\vflip}{LRT}{L}{148}
\DeclareTextComposite{\turn}{LRT}{L}{164}

%\DeclareTextComposite{\hflip}{LRT}{R}{82}
\DeclareTextComposite{\vflip}{LRT}{R}{115}
\DeclareTextComposite{\turn}{LRT}{R}{115}

%\DeclareTextComposite{\hflip}{LRT}{\R}{154}
\DeclareTextComposite{\vflip}{LRT}{\R}{179}
\DeclareTextComposite{\turn}{LRT}{\R}{179}

\DeclareRuneSeparators{LRT}

%    \end{macrocode}
%
%</art>
%
%<*arl>
%
% \subsubsection{The Staveless Runes}
%    \begin{macrocode}
% THE STAVELESS RUNES
\DeclareFontEncoding{LRL}{}{}
\DeclareFontSubstitution{LRL}{frul}{m}{n}

\DeclareFontFamily{LRL}{frul}{}
\DeclareFontShapeWithSizes{LRL}{frul}{m}{n}{frulmn}
\DeclareFontShapeWithSizes{LRL}{frul}{m}{m}{frulmm}
\DeclareFontShapeWithSizes{LRL}{frul}{m}{s}{frulms}
\DeclareFontShapeWithSizes{LRL}{frul}{m}{t}{frulmt}
\DeclareFontShapeWithSizes{LRL}{frul}{m}{r}{frulmr}
\DeclareFontShapeWithSizes{LRL}{frul}{m}{q}{frulmq}

\DeclareFontShapeWithSizes{LRL}{frul}{l}{n}{frulln}
\DeclareFontShapeWithSizes{LRL}{frul}{l}{m}{frullm}
\DeclareFontShapeWithSizes{LRL}{frul}{l}{s}{frulls}
\DeclareFontShapeWithSizes{LRL}{frul}{l}{t}{frullt}
\DeclareFontShapeWithSizes{LRL}{frul}{l}{r}{frullr}
\DeclareFontShapeWithSizes{LRL}{frul}{l}{q}{frullq}

\DeclareFontShapeWithSizes{LRL}{frul}{bx}{n}{frulbn}
\DeclareFontShapeWithSizes{LRL}{frul}{bx}{m}{frulbm}
\DeclareFontShapeWithSizes{LRL}{frul}{bx}{s}{frulbs}
\DeclareFontShapeWithSizes{LRL}{frul}{bx}{t}{frulbt}
\DeclareFontShapeWithSizes{LRL}{frul}{bx}{r}{frulbr}
\DeclareFontShapeWithSizes{LRL}{frul}{bx}{q}{frulbq}

\DeclareFontShapeWithSizes{LRL}{frul}{n}{n}{frulnn}
\DeclareFontShapeWithSizes{LRL}{frul}{n}{m}{frulnm}
\DeclareFontShapeWithSizes{LRL}{frul}{n}{s}{frulns}
\DeclareFontShapeWithSizes{LRL}{frul}{n}{t}{frulnt}
\DeclareFontShapeWithSizes{LRL}{frul}{n}{r}{frulnr}
\DeclareFontShapeWithSizes{LRL}{frul}{n}{q}{frulnq}

\DeclareFontShapeWithSizes{LRL}{frul}{k}{n}{frulkn}
\DeclareFontShapeWithSizes{LRL}{frul}{k}{m}{frulkm}
\DeclareFontShapeWithSizes{LRL}{frul}{k}{s}{frulks}
\DeclareFontShapeWithSizes{LRL}{frul}{k}{t}{frulkt}
\DeclareFontShapeWithSizes{LRL}{frul}{k}{r}{frulkr}
\DeclareFontShapeWithSizes{LRL}{frul}{k}{q}{frulkq}

\DeclareFontShapeWithSizes{LRL}{frul}{c}{n}{frulcn}
\DeclareFontShapeWithSizes{LRL}{frul}{c}{m}{frulcm}
\DeclareFontShapeWithSizes{LRL}{frul}{c}{s}{frulcs}
\DeclareFontShapeWithSizes{LRL}{frul}{c}{t}{frulct}
\DeclareFontShapeWithSizes{LRL}{frul}{c}{r}{frulcr}
\DeclareFontShapeWithSizes{LRL}{frul}{c}{q}{frulcq}

% USER COMMANDS FOR SELECTING FONT FAMILY

\newcommand{\arldefault}{frul}
\newcommand{\arlfamily}{\usefont{LRL}{\arldefault}{m}{n}}
\DeclareTextFontCommand{\textarl}{\arlfamily}

% USER COMMANDS FOR ACCESSING SPECIAL SYMBOLS IN THE DIFFERENT
% FONT FAMILIES AND DIFFERENT ENCODINGS

%The staveless runes
\DeclareTextSymbol{\A}{LRL}{193}
\DeclareTextSymbol{\th}{LRL}{254}

% Commands for mirroring and rotating runes

\DeclareTextCommand{\hflip}{LRL}{}
\DeclareTextCommand{\vflip}{LRL}{}
\DeclareTextCommand{\turn}{LRL}{}

%\DeclareTextComposite{\hflip}{LRL}{f}{102}
\DeclareTextComposite{\vflip}{LRL}{f}{134}
\DeclareTextComposite{\turn}{LRL}{f}{134}

\DeclareTextComposite{\hflip}{LRL}{u}{114}
\DeclareTextComposite{\vflip}{LRL}{u}{221}
\DeclareTextComposite{\turn}{LRL}{u}{234}

%\DeclareTextComposite{\hflip}{LRL}{\th}{254}
%\DeclareTextComposite{\vflip}{LRL}{\th}{254}
%\DeclareTextComposite{\turn}{LRL}{\th}{254}

\DeclareTextComposite{\hflip}{LRL}{A}{98}
\DeclareTextComposite{\vflip}{LRL}{A}{129}
\DeclareTextComposite{\turn}{LRL}{A}{162}

%\DeclareTextComposite{\hflip}{LRL}{\A}{193}
\DeclareTextComposite{\vflip}{LRL}{\A}{201}
\DeclareTextComposite{\turn}{LRL}{\A}{201}

\DeclareTextComposite{\hflip}{LRL}{r}{117}
\DeclareTextComposite{\vflip}{LRL}{r}{234}
\DeclareTextComposite{\turn}{LRL}{r}{221}

%\DeclareTextComposite{\hflip}{LRL}{k}{107}
\DeclareTextComposite{\vflip}{LRL}{k}{104}
\DeclareTextComposite{\turn}{LRL}{k}{104}

%\DeclareTextComposite{\hflip}{LRL}{h}{104}
\DeclareTextComposite{\vflip}{LRL}{h}{107}
\DeclareTextComposite{\turn}{LRL}{h}{107}

\DeclareTextComposite{\hflip}{LRL}{n}{97}
\DeclareTextComposite{\vflip}{LRL}{n}{158}
\DeclareTextComposite{\turn}{LRL}{n}{161}

%\DeclareTextComposite{\hflip}{LRL}{i}{105}
%\DeclareTextComposite{\vflip}{LRL}{i}{105}
%\DeclareTextComposite{\turn}{LRL}{i}{105}

\DeclareTextComposite{\hflip}{LRL}{a}{110}
\DeclareTextComposite{\vflip}{LRL}{a}{161}
\DeclareTextComposite{\turn}{LRL}{a}{158}

%\DeclareTextComposite{\hflip}{LRL}{s}{115}
\DeclareTextComposite{\vflip}{LRL}{s}{179}
\DeclareTextComposite{\turn}{LRL}{s}{179}

\DeclareTextComposite{\hflip}{LRL}{t}{108}
\DeclareTextComposite{\vflip}{LRL}{t}{156}
\DeclareTextComposite{\turn}{LRL}{t}{140}

\DeclareTextComposite{\hflip}{LRL}{b}{65}
\DeclareTextComposite{\vflip}{LRL}{b}{162}
\DeclareTextComposite{\turn}{LRL}{b}{129}

%\DeclareTextComposite{\hflip}{LRL}{m}{109}
\DeclareTextComposite{\vflip}{LRL}{m}{82}
\DeclareTextComposite{\turn}{LRL}{m}{82}

\DeclareTextComposite{\hflip}{LRL}{l}{116}
\DeclareTextComposite{\vflip}{LRL}{l}{140}
\DeclareTextComposite{\turn}{LRL}{l}{156}

%\DeclareTextComposite{\hflip}{LRL}{R}{82}
\DeclareTextComposite{\vflip}{LRL}{R}{109}
\DeclareTextComposite{\turn}{LRL}{R}{109}

\DeclareRuneSeparators{LRL}

%    \end{macrocode}
%
%</arl>
%
%<*arm>
%
% \subsubsection{The Medieval Runes}
%    \begin{macrocode}
% THE MEDIEVAL RUNES
\DeclareFontEncoding{LRM}{}{}
\DeclareFontSubstitution{LRM}{frum}{m}{n}

\DeclareFontFamily{LRM}{frum}{}
\DeclareFontShapeWithSizes{LRM}{frum}{m}{n}{frummn}
\DeclareFontShapeWithSizes{LRM}{frum}{m}{m}{frummm}
\DeclareFontShapeWithSizes{LRM}{frum}{m}{s}{frumms}
\DeclareFontShapeWithSizes{LRM}{frum}{m}{t}{frummt}
\DeclareFontShapeWithSizes{LRM}{frum}{m}{r}{frummr}
\DeclareFontShapeWithSizes{LRM}{frum}{m}{q}{frummq}

\DeclareFontShapeWithSizes{LRM}{frum}{l}{n}{frumln}
\DeclareFontShapeWithSizes{LRM}{frum}{l}{m}{frumlm}
\DeclareFontShapeWithSizes{LRM}{frum}{l}{s}{frumls}
\DeclareFontShapeWithSizes{LRM}{frum}{l}{t}{frumlt}
\DeclareFontShapeWithSizes{LRM}{frum}{l}{r}{frumlr}
\DeclareFontShapeWithSizes{LRM}{frum}{l}{q}{frumlq}

\DeclareFontShapeWithSizes{LRM}{frum}{bx}{n}{frumbn}
\DeclareFontShapeWithSizes{LRM}{frum}{bx}{m}{frumbm}
\DeclareFontShapeWithSizes{LRM}{frum}{bx}{s}{frumbs}
\DeclareFontShapeWithSizes{LRM}{frum}{bx}{t}{frumbt}
\DeclareFontShapeWithSizes{LRM}{frum}{bx}{r}{frumbr}
\DeclareFontShapeWithSizes{LRM}{frum}{bx}{q}{frumbq}

\DeclareFontShapeWithSizes{LRM}{frum}{n}{n}{frumnn}
\DeclareFontShapeWithSizes{LRM}{frum}{n}{m}{frumnm}
\DeclareFontShapeWithSizes{LRM}{frum}{n}{s}{frumns}
\DeclareFontShapeWithSizes{LRM}{frum}{n}{t}{frumnt}
\DeclareFontShapeWithSizes{LRM}{frum}{n}{r}{frumnr}
\DeclareFontShapeWithSizes{LRM}{frum}{n}{q}{frumnq}

\DeclareFontShapeWithSizes{LRM}{frum}{k}{n}{frumkn}
\DeclareFontShapeWithSizes{LRM}{frum}{k}{m}{frumkm}
\DeclareFontShapeWithSizes{LRM}{frum}{k}{s}{frumks}
\DeclareFontShapeWithSizes{LRM}{frum}{k}{t}{frumkt}
\DeclareFontShapeWithSizes{LRM}{frum}{k}{r}{frumkr}
\DeclareFontShapeWithSizes{LRM}{frum}{k}{q}{frumkq}

\DeclareFontShapeWithSizes{LRM}{frum}{c}{n}{frumcn}
\DeclareFontShapeWithSizes{LRM}{frum}{c}{m}{frumcm}
\DeclareFontShapeWithSizes{LRM}{frum}{c}{s}{frumcs}
\DeclareFontShapeWithSizes{LRM}{frum}{c}{t}{frumct}
\DeclareFontShapeWithSizes{LRM}{frum}{c}{r}{frumcr}
\DeclareFontShapeWithSizes{LRM}{frum}{c}{q}{frumcq}

% USER COMMANDS FOR SELECTING FONT FAMILY

\newcommand{\armdefault}{frum}
\newcommand{\armfamily}{\usefont{LRM}{\armdefault}{m}{n}}
\DeclareTextFontCommand{\textarm}{\armfamily}

% USER COMMANDS FOR ACCESSING SPECIAL SYMBOLS IN THE DIFFERENT
% FONT FAMILIES AND DIFFERENT ENCODINGS

%The medieval runes

\DeclareTextSymbol{\a}{LRM}{29}
\DeclareTextSymbol{\adot}{LRM}{209}
\DeclareTextSymbol{\tbar}{LRM}{164}
\DeclareTextSymbol{\tflag}{LRM}{180}
\DeclareTextSymbol{\tdot}{LRM}{188}
\DeclareTextSymbol{\tring}{LRM}{156}
\DeclareTextSymbol{\D}{LRM}{132}
\DeclareTextSymbol{\c}{LRM}{155}
\DeclareTextSymbol{\e}{LRM}{73}
\DeclareTextSymbol{\g}{LRM}{95}
\DeclareTextSymbol{\h}{LRM}{168}
\DeclareTextSymbol{\l}{LRM}{76}
\DeclareTextSymbol{\ldot}{LRM}{204}
\DeclareTextSymbol{\lbar}{LRM}{172}
\DeclareTextSymbol{\lflag}{LRM}{196}
\DeclareTextSymbol{\lring}{LRM}{124}
\DeclareTextSymbol{\m}{LRM}{220}
\DeclareTextSymbol{\n}{LRM}{166}
\DeclareTextSymbol{\ndot}{LRM}{190}
\DeclareTextSymbol{\N}{LRM}{198}
\DeclareTextSymbol{\p}{LRM}{232}
\DeclareTextSymbol{\P}{LRM}{176}
\DeclareTextSymbol{\Pdots}{LRM}{184}
\DeclareTextSymbol{\q}{LRM}{220}
\DeclareTextSymbol{\Q}{LRM}{81}
\DeclareTextSymbol{\r}{LRM}{82}
\DeclareTextSymbol{\rdot}{LRM}{1}
\DeclareTextSymbol{\s}{LRM}{179}
\DeclareTextSymbol{\S}{LRM}{187}
\DeclareTextSymbol{\T}{LRM}{212}
\DeclareTextSymbol{\th}{LRM}{254}
\DeclareTextSymbol{\TH}{LRM}{222}
\DeclareTextSymbol{\thth}{LRM}{158}
\DeclareTextSymbol{\dh}{LRM}{240}
\DeclareTextSymbol{\DH}{LRM}{208}
\DeclareTextSymbol{\v}{LRM}{87}
\DeclareTextSymbol{\V}{LRM}{94}
\DeclareTextSymbol{\x}{LRM}{128}
\DeclareTextSymbol{\X}{LRM}{136}
\DeclareTextSymbol{\y}{LRM}{85}
\DeclareTextSymbol{\Y}{LRM}{93}
\DeclareTextSymbol{\z}{LRM}{163}
\DeclareTextSymbol{\aa}{LRM}{229}
\DeclareTextSymbol{\ae}{LRM}{230}
\DeclareTextSymbol{\o}{LRM}{248}
\DeclareTextSymbol{\O}{LRM}{216}
\DeclareTextSymbol{\oo}{LRM}{215}
\DeclareTextSymbol{\oO}{LRM}{223}
\DeclareTextSymbol{\ey}{LRM}{74}
\DeclareTextSymbol{\arlaug}{LRM}{177}
\DeclareTextSymbol{\tvimadur}{LRM}{185}
\DeclareTextSymbol{\belgthor}{LRM}{193}

\DeclareTextComposite{\.}{LRM}{a}{29}    % \.a, variant a
\DeclareTextComposite{\'}{LRM}{a}{209}   % \'a, variant a
\DeclareTextComposite{\.}{LRM}{c}{155}   % \.c, variant c
\DeclareTextComposite{\^}{LRM}{c}{67}    % \^c variant c
\DeclareTextComposite{\.}{LRM}{t}{100}   % \.t d
\DeclareTextComposite{\~}{LRM}{t}{180}   % \~t variant d
\DeclareTextComposite{\=}{LRM}{t}{164}   % \=t variant d
\DeclareTextComposite{\'}{LRM}{t}{188}   % \'t variant d
\DeclareTextComposite{\^}{LRM}{t}{156}   % \^t variant d
\DeclareTextComposite{\.}{LRM}{T}{68}    % \.T D variant d
\DeclareTextComposite{\"}{LRM}{T}{132}   % \"T \D variant d
\DeclareTextComposite{\.}{LRM}{i}{101}   % \.i e
\DeclareTextComposite{\=}{LRM}{i}{73}    % \=i \e variant e
\DeclareTextComposite{\^}{LRM}{i}{69}    % \^i E variant e
\DeclareTextComposite{\.}{LRM}{k}{103}   % \.k g
\DeclareTextComposite{\'}{LRM}{k}{71}    % \'k G variant g
\DeclareTextComposite{\=}{LRM}{k}{95}    % \=k \g variant g
\DeclareTextComposite{\.}{LRM}{l}{76}    % \.l L
\DeclareTextComposite{\~}{LRM}{l}{196}   % \~l variant l
\DeclareTextComposite{\=}{LRM}{l}{172}   % \=l variant l
\DeclareTextComposite{\'}{LRM}{l}{204}   % \'l variant l
\DeclareTextComposite{\^}{LRM}{l}{124}   % \^l variant l
\DeclareTextComposite{\.}{LRM}{n}{166}   % \.n variant n
\DeclareTextComposite{\'}{LRM}{n}{190}   % \'n variant n
\DeclareTextComposite{\.}{LRM}{N}{198}   % \.N variant n
\DeclareTextComposite{\"}{LRM}{b}{112}   % \"b p
\DeclareTextComposite{\.}{LRM}{b}{232}   % \.b variant p
\DeclareTextComposite{\"}{LRM}{\P}{184}  % \"\P variant p
\DeclareTextComposite{\.}{LRM}{r}{1}     % \.r variant r
\DeclareTextComposite{\.}{LRM}{\th}{240} % \dh
\DeclareTextComposite{\.}{LRM}{\TH}{208} % \DH variant \dh
\DeclareTextComposite{\.}{LRM}{f}{86}    % \.f variant v
\DeclareTextComposite{\~}{LRM}{f}{94}    % \~f variant v
\DeclareTextComposite{\'}{LRM}{f}{87}    % \'f variant v
\DeclareTextComposite{\.}{LRM}{u}{121}   % \.u v y
\DeclareTextComposite{\"}{LRM}{u}{85}    % \"u y
\DeclareTextComposite{\=}{LRM}{u}{93}    % \=u y

% Commands for flipping and turning runes

\DeclareTextCommand{\hflip}{LRM}{}
\DeclareTextCommand{\vflip}{LRM}{}
\DeclareTextCommand{\turn}{LRM}{}

\DeclareTextComposite{\hflip}{LRM}{a}{110}
\DeclareTextComposite{\vflip}{LRM}{a}{129}
\DeclareTextComposite{\turn}{LRM}{a}{126}

\DeclareTextComposite{\hflip}{LRM}{\adot}{190}
\DeclareTextComposite{\vflip}{LRM}{\adot}{201}
\DeclareTextComposite{\turn}{LRM}{\adot}{182}

\DeclareTextComposite{\hflip}{LRM}{\a}{166}
\DeclareTextComposite{\vflip}{LRM}{\a}{31}
\DeclareTextComposite{\turn}{LRM}{\a}{30}

\DeclareTextComposite{\hflip}{LRM}{A}{75}
\DeclareTextComposite{\vflip}{LRM}{A}{220}
\DeclareTextComposite{\turn}{LRM}{A}{107}

\DeclareTextComposite{\hflip}{LRM}{b}{160}
%\DeclareTextComposite{\vflip}{LRM}{b}{98}
\DeclareTextComposite{\turn}{LRM}{b}{160}

\DeclareTextComposite{\hflip}{LRM}{B}{96}
\DeclareTextComposite{\vflip}{LRM}{B}{80}
\DeclareTextComposite{\turn}{LRM}{B}{113}

%\DeclareTextComposite{\hflip}{LRM}{c}{99}
\DeclareTextComposite{\vflip}{LRM}{c}{195}
\DeclareTextComposite{\turn}{LRM}{c}{195}

%\DeclareTextComposite{\hflip}{LRM}{\c}{155}
\DeclareTextComposite{\vflip}{LRM}{\c}{147}
\DeclareTextComposite{\turn}{LRM}{\c}{147}

%\DeclareTextComposite{\hflip}{LRM}{C}{67}
\DeclareTextComposite{\vflip}{LRM}{C}{91}
\DeclareTextComposite{\turn}{LRM}{C}{91}

\DeclareTextComposite{\hflip}{LRM}{d}{76}
\DeclareTextComposite{\vflip}{LRM}{d}{141}
\DeclareTextComposite{\turn}{LRM}{d}{140}

%\DeclareTextComposite{\hflip}{LRM}{\e}{73}
%\DeclareTextComposite{\vflip}{LRM}{\e}{73}
%\DeclareTextComposite{\turn}{LRM}{\e}{73}

%\DeclareTextComposite{\hflip}{LRM}{E}{69}
%\DeclareTextComposite{\vflip}{LRM}{E}{69}
%\DeclareTextComposite{\turn}{LRM}{E}{69}

\DeclareTextComposite{\hflip}{LRM}{\tflag}{196}
\DeclareTextComposite{\vflip}{LRM}{\tflag}{181}
\DeclareTextComposite{\turn}{LRM}{\tflag}{197}

\DeclareTextComposite{\hflip}{LRM}{\tbar}{172}
\DeclareTextComposite{\vflip}{LRM}{\tbar}{165}
\DeclareTextComposite{\turn}{LRM}{\tbar}{173}

\DeclareTextComposite{\hflip}{LRM}{\tdot}{204}
\DeclareTextComposite{\vflip}{LRM}{\tdot}{189}
\DeclareTextComposite{\turn}{LRM}{\tdot}{205}

\DeclareTextComposite{\hflip}{LRM}{\tring}{124}
\DeclareTextComposite{\vflip}{LRM}{\tring}{157}
\DeclareTextComposite{\turn}{LRM}{\tring}{125}

%\DeclareTextComposite{\hflip}{LRM}{D}{68}
\DeclareTextComposite{\vflip}{LRM}{D}{92}
\DeclareTextComposite{\turn}{LRM}{D}{92}

%\DeclareTextComposite{\hflip}{LRM}{\D}{132}
\DeclareTextComposite{\vflip}{LRM}{\D}{133}
\DeclareTextComposite{\turn}{LRM}{\D}{133}

\DeclareTextComposite{\hflip}{LRM}{f}{6}
\DeclareTextComposite{\vflip}{LRM}{f}{14}
\DeclareTextComposite{\turn}{LRM}{f}{22}

\DeclareTextComposite{\hflip}{LRM}{F}{154}
\DeclareTextComposite{\vflip}{LRM}{F}{162}
\DeclareTextComposite{\turn}{LRM}{F}{170}

\DeclareTextComposite{\hflip}{LRM}{g}{159}
\DeclareTextComposite{\vflip}{LRM}{g}{167}
\DeclareTextComposite{\turn}{LRM}{g}{175}

\DeclareTextComposite{\hflip}{LRM}{\g}{2}
\DeclareTextComposite{\vflip}{LRM}{\g}{10}
\DeclareTextComposite{\turn}{LRM}{\g}{18}

\DeclareTextComposite{\hflip}{LRM}{G}{7}
\DeclareTextComposite{\vflip}{LRM}{G}{15}
\DeclareTextComposite{\turn}{LRM}{G}{23}

\DeclareTextComposite{\hflip}{LRM}{k}{220}
\DeclareTextComposite{\vflip}{LRM}{k}{75}
\DeclareTextComposite{\turn}{LRM}{k}{65}

\DeclareTextComposite{\hflip}{LRM}{l}{116}
\DeclareTextComposite{\vflip}{LRM}{l}{148}
\DeclareTextComposite{\turn}{LRM}{l}{149}

\DeclareTextComposite{\hflip}{LRM}{\lbar}{164}
\DeclareTextComposite{\vflip}{LRM}{\lbar}{173}
\DeclareTextComposite{\turn}{LRM}{\lbar}{165}

\DeclareTextComposite{\hflip}{LRM}{\lflag}{180}
\DeclareTextComposite{\vflip}{LRM}{\lflag}{197}
\DeclareTextComposite{\turn}{LRM}{\lflag}{181}

\DeclareTextComposite{\hflip}{LRM}{\ldot}{188}
\DeclareTextComposite{\vflip}{LRM}{\ldot}{205}
\DeclareTextComposite{\turn}{LRM}{\ldot}{189}

\DeclareTextComposite{\hflip}{LRM}{\lring}{156}
\DeclareTextComposite{\vflip}{LRM}{\lring}{125}
\DeclareTextComposite{\turn}{LRM}{\lring}{157}

\DeclareTextComposite{\hflip}{LRM}{\l}{100}
\DeclareTextComposite{\vflip}{LRM}{\l}{140}
\DeclareTextComposite{\turn}{LRM}{\l}{141}

%\DeclareTextComposite{\hflip}{LRM}{m}{109}
\DeclareTextComposite{\vflip}{LRM}{m}{121}
\DeclareTextComposite{\turn}{LRM}{m}{121}

\DeclareTextComposite{\hflip}{LRM}{\m}{107}
\DeclareTextComposite{\vflip}{LRM}{\m}{65}
\DeclareTextComposite{\turn}{LRM}{\m}{75}

\DeclareTextComposite{\hflip}{LRM}{n}{97}
\DeclareTextComposite{\vflip}{LRM}{n}{126}
\DeclareTextComposite{\turn}{LRM}{n}{129}

\DeclareTextComposite{\hflip}{LRM}{\n}{29}
\DeclareTextComposite{\vflip}{LRM}{\n}{30}
\DeclareTextComposite{\turn}{LRM}{\n}{31}

\DeclareTextComposite{\hflip}{LRM}{\ndot}{209}
\DeclareTextComposite{\vflip}{LRM}{\ndot}{182}
\DeclareTextComposite{\turn}{LRM}{\ndot}{201}

\DeclareTextComposite{\hflip}{LRM}{N}{230}
\DeclareTextComposite{\vflip}{LRM}{N}{230}
%\DeclareTextComposite{\turn}{LRM}{N}{78}

\DeclareTextComposite{\hflip}{LRM}{\N}{206}
\DeclareTextComposite{\vflip}{LRM}{\N}{206}
%\DeclareTextComposite{\turn}{LRM}{\N}{198}

\DeclareTextComposite{\hflip}{LRM}{o}{79}
\DeclareTextComposite{\vflip}{LRM}{o}{255}
\DeclareTextComposite{\turn}{LRM}{o}{151}

\DeclareTextComposite{\hflip}{LRM}{p}{152}
%\DeclareTextComposite{\vflip}{LRM}{p}{112}
\DeclareTextComposite{\turn}{LRM}{p}{152}

\DeclareTextComposite{\hflip}{LRM}{\p}{233}
\DeclareTextComposite{\vflip}{LRM}{\p}{224}
\DeclareTextComposite{\turn}{LRM}{\p}{225}

\DeclareTextComposite{\hflip}{LRM}{\P}{81}
%\DeclareTextComposite{\vflip}{LRM}{\P}{176}
\DeclareTextComposite{\turn}{LRM}{\P}{81}

\DeclareTextComposite{\hflip}{LRM}{\Pdots}{192}
%\DeclareTextComposite{\vflip}{LRM}{\Pdots}{184}
\DeclareTextComposite{\turn}{LRM}{\Pdots}{192}

\DeclareTextComposite{\hflip}{LRM}{P}{113}
\DeclareTextComposite{\vflip}{LRM}{P}{66}
\DeclareTextComposite{\turn}{LRM}{P}{96}

\DeclareTextComposite{\hflip}{LRM}{q}{80}
\DeclareTextComposite{\vflip}{LRM}{q}{96}
\DeclareTextComposite{\turn}{LRM}{q}{66}

\DeclareTextComposite{\hflip}{LRM}{\q}{107}
\DeclareTextComposite{\vflip}{LRM}{\q}{65}
\DeclareTextComposite{\turn}{LRM}{\q}{75}

\DeclareTextComposite{\hflip}{LRM}{\Q}{176}
%\DeclareTextComposite{\vflip}{LRM}{\Q}{192}
\DeclareTextComposite{\turn}{LRM}{\Q}{176}

\DeclareTextComposite{\hflip}{LRM}{r}{242}
\DeclareTextComposite{\vflip}{LRM}{r}{234}
\DeclareTextComposite{\turn}{LRM}{r}{250}

\DeclareTextComposite{\hflip}{LRM}{\rdot}{17}
\DeclareTextComposite{\vflip}{LRM}{\rdot}{9}
\DeclareTextComposite{\turn}{LRM}{\rdot}{25}

\DeclareTextComposite{\hflip}{LRM}{\r}{218}
\DeclareTextComposite{\vflip}{LRM}{\r}{210}
\DeclareTextComposite{\turn}{LRM}{\r}{226}

\DeclareTextComposite{\hflip}{LRM}{s}{179}
\DeclareTextComposite{\vflip}{LRM}{s}{179}
%\DeclareTextComposite{\turn}{LRM}{s}{115}

\DeclareTextComposite{\hflip}{LRM}{S}{227}
\DeclareTextComposite{\vflip}{LRM}{S}{235}
\DeclareTextComposite{\turn}{LRM}{S}{243}

\DeclareTextComposite{\hflip}{LRM}{\S}{203}
\DeclareTextComposite{\vflip}{LRM}{\S}{211}
\DeclareTextComposite{\turn}{LRM}{\S}{219}

\DeclareTextComposite{\hflip}{LRM}{t}{108}
\DeclareTextComposite{\vflip}{LRM}{t}{149}
\DeclareTextComposite{\turn}{LRM}{t}{148}

%\DeclareTextComposite{\hflip}{LRM}{T}{84}
\DeclareTextComposite{\vflip}{LRM}{T}{128}
\DeclareTextComposite{\turn}{LRM}{T}{128}

%\DeclareTextComposite{\hflip}{LRM}{\T}{212}
%\DeclareTextComposite{\vflip}{LRM}{\T}{212}
%\DeclareTextComposite{\turn}{LRM}{\T}{212}

\DeclareTextComposite{\hflip}{LRM}{\th}{238}
%\DeclareTextComposite{\vflip}{LRM}{\th}{254}
\DeclareTextComposite{\turn}{LRM}{\th}{238}

\DeclareTextComposite{\hflip}{LRM}{\TH}{221}
%\DeclareTextComposite{\vflip}{LRM}{\TH}{222}
\DeclareTextComposite{\turn}{LRM}{\TH}{221}

\DeclareTextComposite{\hflip}{LRM}{\thth}{174}
%\DeclareTextComposite{\vflip}{LRM}{\thth}{158}
\DeclareTextComposite{\turn}{LRM}{\thth}{174}

\DeclareTextComposite{\hflip}{LRM}{\dh}{241}
%\DeclareTextComposite{\vflip}{LRM}{\dh}{240}
\DeclareTextComposite{\turn}{LRM}{\dh}{241}

\DeclareTextComposite{\hflip}{LRM}{\DH}{200}
%\DeclareTextComposite{\vflip}{LRM}{\DH}{208}
\DeclareTextComposite{\turn}{LRM}{\DH}{200}

\DeclareTextComposite{\hflip}{LRM}{u}{245}
\DeclareTextComposite{\vflip}{LRM}{u}{237}
\DeclareTextComposite{\turn}{LRM}{u}{253}

\DeclareTextComposite{\hflip}{LRM}{v}{134}
\DeclareTextComposite{\vflip}{LRM}{v}{142}
\DeclareTextComposite{\turn}{LRM}{v}{150}

\DeclareTextComposite{\hflip}{LRM}{\v}{4}
\DeclareTextComposite{\vflip}{LRM}{\v}{12}
\DeclareTextComposite{\turn}{LRM}{\v}{20}

\DeclareTextComposite{\hflip}{LRM}{V}{5}
\DeclareTextComposite{\vflip}{LRM}{V}{13}
\DeclareTextComposite{\turn}{LRM}{V}{21}

\DeclareTextComposite{\hflip}{LRM}{\V}{3}
\DeclareTextComposite{\vflip}{LRM}{\V}{11}
\DeclareTextComposite{\turn}{LRM}{\V}{19}

\DeclareTextComposite{\hflip}{LRM}{w}{135}
\DeclareTextComposite{\vflip}{LRM}{w}{127}
\DeclareTextComposite{\turn}{LRM}{w}{143}

\DeclareTextComposite{\hflip}{LRM}{x}{144}
\DeclareTextComposite{\vflip}{LRM}{x}{144}
%\DeclareTextComposite{\turn}{LRM}{x}{120}

%\DeclareTextComposite{\hflip}{LRM}{\x}{128}
\DeclareTextComposite{\vflip}{LRM}{\x}{84}
\DeclareTextComposite{\turn}{LRM}{\x}{84}

%\DeclareTextComposite{\hflip}{LRM}{X}{88}
%\DeclareTextComposite{\vflip}{LRM}{X}{88}
%\DeclareTextComposite{\turn}{LRM}{X}{88}

%\DeclareTextComposite{\hflip}{LRM}{\X}{136}
%\DeclareTextComposite{\vflip}{LRM}{\X}{136}
%\DeclareTextComposite{\turn}{LRM}{\X}{136}

%\DeclareTextComposite{\hflip}{LRM}{y}{121}
\DeclareTextComposite{\vflip}{LRM}{y}{109}
\DeclareTextComposite{\turn}{LRM}{y}{109}

\DeclareTextComposite{\hflip}{LRM}{\y}{137}
\DeclareTextComposite{\vflip}{LRM}{\y}{145}
\DeclareTextComposite{\turn}{LRM}{\y}{153}

%\DeclareTextComposite{\hflip}{LRM}{Y}{89}
\DeclareTextComposite{\vflip}{LRM}{Y}{249}
\DeclareTextComposite{\turn}{LRM}{Y}{249}

\DeclareTextComposite{\hflip}{LRM}{\Y}{130}
\DeclareTextComposite{\vflip}{LRM}{\Y}{138}
\DeclareTextComposite{\turn}{LRM}{\Y}{146}

\DeclareTextComposite{\hflip}{LRM}{z}{194}
\DeclareTextComposite{\vflip}{LRM}{z}{186}
\DeclareTextComposite{\turn}{LRM}{z}{202}

%\DeclareTextComposite{\hflip}{LRM}{\z}{163}
\DeclareTextComposite{\vflip}{LRM}{\z}{171}
\DeclareTextComposite{\turn}{LRM}{\z}{171}

%\DeclareTextComposite{\hflip}{LRM}{Z}{90}
\DeclareTextComposite{\vflip}{LRM}{Z}{251}
\DeclareTextComposite{\turn}{LRM}{Z}{251}

%\DeclareTextComposite{\hflip}{LRM}{Y}{89}
\DeclareTextComposite{\vflip}{LRM}{Y}{249}
\DeclareTextComposite{\turn}{LRM}{Y}{249}

\DeclareTextComposite{\hflip}{LRM}{\aa}{213}
%\DeclareTextComposite{\vflip}{LRM}{\aa}{229}
\DeclareTextComposite{\turn}{LRM}{\aa}{213}

\DeclareTextComposite{\hflip}{LRM}{\ae}{78}
\DeclareTextComposite{\vflip}{LRM}{\ae}{78}
%\DeclareTextComposite{\turn}{LRM}{\ae}{230}

\DeclareTextComposite{\hflip}{LRM}{\o}{247}
\DeclareTextComposite{\vflip}{LRM}{\o}{247}
%\DeclareTextComposite{\turn}{LRM}{\o}{246}

\DeclareTextComposite{\hflip}{LRM}{\O}{217}
\DeclareTextComposite{\vflip}{LRM}{\O}{217}
%\DeclareTextComposite{\turn}{LRM}{\O}{216}

\DeclareTextComposite{\hflip}{LRM}{\oo}{199}
\DeclareTextComposite{\vflip}{LRM}{\oo}{191}
\DeclareTextComposite{\turn}{LRM}{\oo}{239}

\DeclareTextComposite{\hflip}{LRM}{\oO}{207}
\DeclareTextComposite{\vflip}{LRM}{\oO}{183}
\DeclareTextComposite{\turn}{LRM}{\oO}{231}

\DeclareTextComposite{\hflip}{LRM}{\arlaug}{178}
\DeclareTextComposite{\vflip}{LRM}{\arlaug}{169}
\DeclareTextComposite{\turn}{LRM}{\arlaug}{161}

\DeclareRuneSeparators{LRM}

%    \end{macrocode}
%
%</arm>
%
%<*frubase>
%
% \section{The Font Macros and Programs}
%
% \subsection{Base file --- \texttt{frubase.mf}}
% \file{frubase.mf}
% \changes{v1.0}{2000/11/11}{Base file \texttt{frubase.mf}.}
%
% This file defines all the macros used in the source programs
% for the font.
%    \begin{macrocode}
string allrunes ;
allrunes = "2.0" ;
if proofing > 1 :
  message "Base file for font `allrunes', version " & allrunes ;
fi
%    \end{macrocode}
% And then the font is identified as \texttt{"allrunes"}.
%    \begin{macrocode}
font_identifier:="allrunes";

font_size 10pt#;

mode_setup;

if mag <= 1:
  magadj = 1;
  tightness_f=0.0;
elseif mag <= 4:
  magadj = 1-(mag-1)/10;
  tightness_f=0.0;
else:
  magadj = 1-(4-1)/10;
  tightness_f=0.01;
fi;

if loweredbars=true:
    topjointrounding=0.3;
    topbarred=0.85;
else:
    topjointrounding=1.0;
    topbarred=1.0;
fi;

if barshape="straight":
    curve_d=0;
elseif barshape="curved":
    curve_d=40;
elseif bars